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Brussels
Conference, symposium - Europe
A transnational dialogue
Although it has long been existing on the other side of the Atlantic, where it found institutionalisation in the wake of post world war II black social movements in the United States, the field of Black Studies is only emerging in Europe. Its development is uneven, however. Some European countries show a longer history and a more prolific scholarship than others in the study of people categorized as “Black”. Different approaches are being used, and different traditions are being formed. The relationships between scholarship, activism and the wider political landscape are more or less close, more or less explicit, more or less influential to each other, depending on the context.
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Brussels
Defeating impunity, promoting international justice
The Belgian Experience (1870-2015)
This conference seeks to discuss the Belgian record of engagement with international law and justice and to put this national experience in international perspective. It specifically questions the way in which the judiciary dealt with gross violations of international law in the wake of war and how legal actors responded to the challenges of an emergent and developing set of international laws, from 1870 to 2015.
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Brussels
Conference, symposium - History
The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th Century
Ce colloque de l'IRPA est consacré au retable gothico-renaissant de l'église Saint-Denis à Liège et des problèmes que pose sa semi-polychromie tout à fait exceptionnelle dans le contexte des Pays-Bas et de la principauté de Liège au XVIe siècle.
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Brussels
Renovatio, inventio, absentia imperii
From the Roman Empire to Contemporary Imperialism
At the heart of the present conference will be the ‘reception’, ‘Nachleben’ or ‘permanence’ of the Roman Empire, of an idea and a historical paradigm which since Classical Antiquity has supported the most widespread claims to obtain and consolidate power. The focus will be on ‘culture’, this latter concept intended in a broad sense, i.e. including not only the arts, architecture, literature etc., but also philosophy, religion and, most importantly, discourse. As such, a wide array of themes will be subjected to academic scrutiny. Whereas the main focus will be on Europe and North America, this conference will also reach out towards non-Western contexts, whether or not directly related to the Roman example.
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Brussels
The adoption of the European Landscape Convention (ELC) in 2000 represents a major event in taking landscape into account at the European level. As of June 2013, 38 Council of Europe member states have ratified the Convention. By specifying that landscape is an essential component of the quality of life of Europeans, the Convention is, first and foremost, in line with a territorial dimension. Moreover, a strong foundation of the ELC lies in its specific definition of landscape, notably based on the notion of perception by populations. One of the scientists’ major concerns is therefore how to reconcile objective scientific approaches with the subjective aspect of citizens’ perception. After more than a decade of practice, the Conference will be an opportunity for scientists who have been working in line with the ELC to present the tools developed and to reflect on their tangible, measurable and observable effects.
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Brussels
Conference, symposium - History
Dealer, collector, critic, publisher…: The « animateur d’art » and his multiples roles
Pluridisciplinary research of these disregarded cultural mediators of the 19th and 20th centuries
The first goal of our symposium is to enlighten the role of the animateur d’art in the development of the arts. We hope that this scientific gathering would help us specify this first formula of the cultural actor: “The animateur d’art is an amateur who actively participates in the defense of the arts and in the stimulation of the artistic creation in a certain period. He puts his numerous networks to work in order to spread ideologies and aesthetics through the cultural environment and the society. He is a key figure positioning himself as a mediator between the different art worlds – the plastic arts as well as between the different agents of the cultural environment. His work consists in building bridges between the artists and his own cultural environment in order to ease the reception of the works and to promote a peculiar aesthetics”. -
Brussels
El fraude monetario en los espacios atlanticos: pasado y presente (siglos XV al XX)
Simposio (HIST/RI-5) del V° Congreso Europeo CEISAL de Latinoamericanistas: Las Relaciones intercontinentales entre Europa y las Americas
Le symposium s'adresse à ceux qu'intéressent l'histoire sociale de la fraude monétaire en Amérique latine et dans les Caraïbes sur la longue durée (XVe-XXe siècles). Le thème de ce symposium est considéré dans un sens large, comprenant aussi bien le faux monnayage que la contrebande monétaire et ses représentations. L'objectif de cette rencontre est d'analyser le rôle des fraudes monétaires dans les rapports entre le continent américain et l'Europe.
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