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Paris
Muslims: a European History 16th-21st century
For the second consecutive year, the CHSP (Centre d’histoire de sciences po) European History Seminar explores the social lives of Muslims in early modern and modern European societies. It fits in with the preliminary works of ESLAM (European Societies in the Light of Apolitical Muslims) and is open to established scholars, junior researchers and Ph.D. and master degree’s students in history and social sciences.
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Paris
Conference, symposium - Representation
Organitechnosciences. Invective dynamics of a paradigm shift
Since the second half of the 20th century, a fundamental paradigm shift can be observed in the scientific discourses of various disciplines: The separation between the organic and the technical, which has shaped the "Western" history of ideas for centuries seems to have been abolished. This paradigm shift - from separation to hybridization - turns out to be a multifaceted process and becomes the scene of a contested terrain, also in literary studies. The discussion will focus on organic-technical figures of thought in German-language texts from the Middle Ages to contemporary literature.
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Paris
Scholarship, prize and job offer - Representation
"All Alone" in East-Central Europe: Reinventing the Orphan from the Fascist to the Socialist Era
International PhD Contract 2020-2023
Full-time, 36-month-long international PhD contract at Sorbonne University (PhD program IV) within the research centre Eur'ORBEM and in partnership with the French Research Centre in Social Sciences (CEFRES) in Prague, from 1 October 2020, under the supervision of Clara Royer. The PhD thesis may be written in French or in English. PhD propositions should focus on the discourses and practices surrounding the orphan condition in literature and/or visual arts (cinema, photography, graphic arts and so forth) in the wake of the violence and demographic upheavals that characterized 20th century East-Central Europe. Because of its interdisciplinary scope, applicants with a background in social history, literary studies and/or visual arts specialized in one or several countries of East-Central Europe may apply.
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Paris
Call for papers - Representation
Mediating Otherness: Encounters across Space and Time (16th to 19th centuries)
Cette journée d'étude se donne pour but de considérer les stratégies mises en œuvre par la littérature de voyage entre les XVIe et XIXe siècles afin de représenter la figure de l'autre, qu'il s'agisse de stratégies textuelles ou visuelles. Tous les domaines linguistiques et culturels pourront être considérés afin de construire un tableau aussi large que possible de la manière dont l'autre est appréhendé par les récits des voyageurs à l'époque moderne.
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Paris
Conference, symposium - Sociology
The critic of automatic reason - stupidity and intelligence in the digitalisation of the world
Bêtise(s) et intelligence(s) de la numérisation du monde
En raison de l’épidémie actuelle de Covid-19, l'événement a été annulé et est en attente d'un report à une date ultérieure.
Ce colloque sera le moment de réfléchir à l’entrelacs entre différentes strates problématiques de la « numérisation du monde », sans négliger un élément central : toutes ces intelligences ont toujours besoin d’exister d’une manière ancrée, ce qui nous conduit à mettre en évidence le concept de territoire. Celui-ci ne sera pas entendu au sens simplement physique, mais aussi écologique, administratif, politique, éthique et existentiel, de l’ordre du milieu ou du transindividuel. L'évènement sera l'occasion d’explorer ces nouveaux territoires et leurs intelligences (à l’aide des outils de l’architecture, de l’urbanisme et du design) pour aller au-delà des smart territories, au sens plat et « bête » de déploiement massif de toutes sortes de devices numériques.
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Paris
Displaying the social history of migrants: content, scenography, public engagement
Donner à voir l’histoire sociale des migrations: contenus, scénographies, médiations
We seek proposals from post-doctoral scholars, recent PhDs, as well as those in the final stages of their dissertations with a background in related fields, in particular migration studies and social history, especially as they intersect with museum studies and/or public history. Participants will discuss, from a theoretical and a practical point of view, the best ways to display, in an exhibition context, the daily experience of past migrations in all their social dimensions.
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Paris
Conference, symposium - Representation
Contemporary American Fiction in the Face of Technical Innovation
Cette conférence se propose d'interroger les relations de la fiction américaine aux innovations qui ont marqué les premières décennies du XXIe siècle : internet, médias sociaux, objets et environnements intelligents, intelligence artificielle, nanotechnologies, ingénierie génétique et autres biotechnologies, transhumanisme. Ces innovations techniques redéfinissent la manière dont nous habitons notre monde, interagissons les uns avec les autres et appréhendons l'humain dans son rapport de plus en plus étroit à la machine, non plus, comme autrefois, soigné ou réparé, mais désormais augmenté ou remplacé. Qu'en est-il alors de nos pratiques artistiques et culturelles ? Ces avancées récentes modifient-ils la langue et la littérature ?
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Paris
Call for papers - Ethnology, anthropology
New technology-based metamorphosis in Japan
In Japan, the kyara-ka phenomenon, ‘transforming into a character’ (Aihara Hiroyuki, 2007) is now giving birth to what Nozawa Shunsuke (2013) calls ‘an emerging art of self–fashioning.’ Based on elaborate disguise techniques, the kyara-ka phenomenon covers a variety of communication strategies and practices: cosplay, kigurumi, Vtubing, utaloid voice banks, use of voice-image filters to upload videos where humans look like characters… Exploring all the aspects of this ‘thingification of humans’, the conference will reflect on how and why a growing number of people market themselves as characters. The conference goal is to address the complexity of issues raised by these voluntary and, perhaps, ironical acts of obliteration. What is the profile of men and women who transform themselves into computer-graphic creatures? How do they deal with being loved only through their digital alter-ego? What little or grand narratives are being produced alongside? Can we still deal with the phenomenon in terms of authenticity (original) versus artificiality (copy)? What negotiations or refusals underly the use of characters as social masks?
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Paris
International Conference (Jan. 16 and 17, 2020, Paris 8 University, France)
The main focus of this conference will be translation as process, rather than as a mere product, which will prompt us to apprehend translated works as belonging to one or several networks, contexts and translational cultures. In short, translation is a concept that throws new light onto the exchanges and differences pertaining to contemporary digital literary culture. Contemporary digital literary culture mobilizes multiple operations: it involves translation across languages, but includes circulations characteristic of other translational issues at large: exchanges between interfaces, media, codes, institutions, cultural perspectives, artistic and archiving practices. In turn, digital forms of textuality share a certain number of aspects within ubiquitous environments, which means that translational processes will lead us to consider creative practices that stand beyond the traditional field of literature.
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Paris
Minority languages spoken or signed and inclusive spaces
The objective of this international conference is to question the way social “inclusive” spaces (schools, universities, cultural centers, public services…) take into consideration minor languages (or not). It aims at fostering original and innovative initiatives in their psychological, social, glottopolitical, anthropological, linguistic, pedagogical, didactical and digital dimensions, and discussing those topics.
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Paris
Miscellaneous information - Representation
Meeting with the writer Pablo Landeo and the presentation of his Quechua language novel "Aqupampa"
L'association Amériques de l'INALCO en partenariat avec l'ambassade du Pérou en France proposent une rencontre avec l'écrivain Pablo Landeo Muñoz et la présentation de son roman en quechua Aqupampa. Carlos Amézaga, ministre conseiller à l’ambassade du Pérou, prononcera un discours d’ouverture. La présentation du roman sera faite par César Itier (INALCO). Elle sera suivie d’un dialogue avec l’auteur Pablo Landeo Muñoz et d’une lecture d’extraits du roman (surtitrés en français). Cette rencontre sera clôturée par un concert de musique andine proposé par le groupe Paris Andes.
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Paris
Artistic theories and practices in the academic context - polarisation and contaminations
La multiplication de cours de pós-graduação (Master, Doctorat et Post-doctorat) dans le champ de l’art au Brésil ces dernières dix années interroge davantage l’interaction entre théories et pratiques dans le contexte académique. La présence de disciplines dans lesquelles s’inscrivent une pratique artistique – arts visuels, musique, danse, théâtre, cinéma, littérature, entre autres – interpelle le binarisme entre art et science et propose des nouvelles formes de perceptions de l’objet d’étude, ainsi que des nouveaux critères d’argumentation et d’évaluation de recherche académique. Comment une pratique artistique peut devenir un objet de recherche académique ? Comment gérer la particularité de ces recherches e de ses résultats ? Quelles sont les stratégies utilisées pour outrepasser les binarismes imposés par les modèles scientifiques tout en emphatisant le pouvoir réflexif de l’art et l’imminente nécessité de créativité pour la formulation théorique ?
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Paris
16th annual symposium of the International Medieval Society – Paris
For its 16th annual symposium, the International Medieval Society Paris invites scholarly papers on any aspect of time in the Middle Ages. Papers may deal with the experience or exploitation of time, its reckoning or measuring, its inscription, its theorization, or the question of how or why or whether we should demarcate the “Middle Ages.” Papers focusing on historical or cultural material from medieval France or post-Roman Gaul, or on texts written in medieval French or Occitan, are particularly encouraged, but compelling papers on other material will also be considered.
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Paris
Lecture series - Representation
Labrouste Room debate at the National Art History Institute
Un auteur dialogue à propos de son livre avec un invité. Ce cycle se déroule dans la salle Labrouste, salle de lecture de la bibliothèque de l’Institut national d’histoire de l’art (INHA). L’ambition est de replacer l’ouvrage dans son contexte en faisant dialoguer les époques, les cultures et les disciplines qu’il convoque. Les ouvrages programmés dans le cadre de ce cycle sont des publications récentes. Ils sont proposés par les conseillers scientifiques et les bibliothécaires de l’Institut national d’histoire de l’art, conformément à l’esprit de l’établissement, qui regroupe différentes équipes dédiées à la recherche et à la plus vaste bibliothèque d’histoire de l’art au monde.
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Paris
The European Industrial Heritage of the First World War
The First World War marked the history of Europe. It has been characterized by an unprecedented effort in industrial production, which today constitutes a common European heritage. The industrial heritage of the First World War, however, seems to be invisible: it is not identified or even defined as such, whereas this war was characterized by the massive use of industrial technology, both in the field of the production of weapons, aircraft and chemicals for military purposes as well as in the civil sector, particularly for agri-food production. It is interesting to note that conversely, the industrial heritage of the Reconstruction could be the subject of work. The organization of a European symposium, the first on this theme, is essential in order to establish an inventory of the material traces that still exist today and to draw the attention of the public authorities to the need to ensure their conservation.
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Paris
European architectural space: exchanges, circulations and cultural transfers
Doctoral research day in Architectural History from Paris I University
In Europe, the circulation skills and ideas, already very intensive throughout the Middle Ages, kept intensifying over centuries. This process identified as “cultural transfers” at the end of the 20th century actively supports the progressive rise of shared architectural cultures, evolving through cultural crossing and hybridization phenomena. Therefore, it seems possible to define a “European space of architecture” based on these intensive exchanges over the continent.
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Paris
Conference, symposium - Middle Ages
15th annual conference of the International Medieval Society
The 15th annual conference of the International Medieval Society (IMS-Paris) is organised in collaboration with the Laboratoire de Médiévistique Occidentale de Paris (LAMOP) and the Centre d’Étude et de Recherches Antiques et Médiévales (CERAM). This year on the theme of “Truth and Fiction.”
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Paris
Chinese objects and their lives
Over the last twenty years, material culture studies have occupied a growing place in the social sciences. How does this growing interest in objects and material culture reveal itself in Chinese studies? Choosing from different disciplines and different periods, this AFEC workshop aims to examine how to approach objects in the humanities and social sciences—from everyday objects to natural objects, consumer goods, technical or scientific instruments, objects of study or devotion, or ritual objects and works of art. By bringing together specialists from different fields (history, art history, archaeology, technology, anthropology, literature, sociology, etc.), the workshop explores the life, trajectory and the possible metamorphoses of the value, status and function of objects, as well as the relationships these artefacts have with individuals—raising in addition questions of their social uses—by focusing on their religious, symbolic, political, economic, emotional or memorial dimensions.
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Paris
Conference, symposium - History
War as Contact Zone in the Nineteenth Century
The workshop seeks to encourage further debate on the mechanics of encounter and transfer processes in war during the "long nineteenth century" (1789-1914). It wiil also explore how historians working on this subject can use new digital methods and impact case studies to make their findings accessible to the public. The choice of period is informed by this era’s manifold innovations in such fields as communication, mass transport, weaponry, international law and the conduct of war, which have generated fruitful dialogue on the question whether the nineteenth century set the path for a totalitarianisation of warfare or should instead be evaluated on their own terms.
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Paris
Conference, symposium - Representation
Female artists in the classical age - illustration, painting, sculpture and engraving
Comment ces artistes sont-elles désignées, et de quelle manière préfèrent-elles se nommer ? Le siècle hésite à se saisir d’expressions pour les qualifier. Quelles sont les conditions de travail et de vie de ces artistes ? De quelles façons apprennent-elles leur art, où peuvent-elles l’exercer et l’exposer, avec qui à leurs côtés ? Quelle est la réception de leur art dans les Salons et les journaux de l’époque, en France et en Europe ? En quelle réputation – nationale et internationale, bonne ou mauvaise – sont-elles ?
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