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• 15 jan 2020

  Nantes

  Call for papers - Language

  Networking May Sinclair

  This international conference explores the diversity of connections, inspirations and influences in the work of modernist writer, May Sinclair (1863-1946). It will be held at the University of Nantes (France) on Thursday 18th and Friday 19th June 2019.

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• 24 fév 2019

  Nantes

  Call for papers - America

  The undisciplined discipline: the challenges of Pop Cultural Studies

  This call for paper is for a workshop which it itself included in this year's international symposium of the AFEA (Franch Association of American Studies) which will happen in Nantes, France from May 22 nd to the 24th. This year's main theme of the conference is "discipline/indiscipline." (event for which you can find more information here: http://www.afea.fr/-2019-AFEA-Conference-Discplines-Indiscipline-.html) This workshop intends to address and explore further this binary dichotomy through the prism of cultural studies, interrogating more precisely if the emergence of pop cultural studies is truly something to advocate for. Communications can tackle this issue from a more theoretical standpoint, but they can also deal with more precise case studies which would illustrate how pop culture and cultural studies are both defying disciplinary classifications. Communications can be either in French or in English.

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• 24 nov 2017

  Nantes

  Call for papers - Representation

  Self-portraits in costume: multiple identities at play

  The self-portrait in disguise may verge on parody or satire and entail carnivalesque reversals; it may also challenge the notion of physical integrity, singularity and authenticity especially when produced in series. By changing his/her sexual, ethnic, social identity, the artist may convey a strong message and situate his/her practice within society. We invite  to consider the complexity of the self-portrait in costume particularly in the contemporary period. Indeed, both postmodern reflexivity and self-referentiality, and the extended possibilities offered by image manipulation have revived this genre, with the success of selfies or avatars for instance raising new questions. 

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• 15 jan 2016

  Nantes

  Call for papers - Sociology

  Questioning self-medication

  A socially and geographically situated bricolage

  Treating oneself is a controversial practice: scorned in the name of the health risks it runs, self-treatment may also be praised in the name of the independence it expresses. The messages of public health authorities are at the heart of the controversy, emphasizing risk one moment and their potential for patient responsibility the next. Such contradictory injunctions also affect the practices of care providers. The conference has chosen to allow comparisons and confrontations between these various disciplinary approaches as well as distinct research field sites (North/South, North/North, South/South). These practices and their determinants have to be more finely mapped and analyzed to put these analyses – by definition always partial, and theoretically, historically, and geographically situated – in perspective.

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• 15 déc 2014

  Nantes

  Call for papers - Modern

  Representations of Power and Power of the Image in British and American Contemporary Photography

  Représentations du pouvoir et pouvoir de l’image dans la photographie contemporaine américaine et britannique

  From the power of images to images of power, this workshop will explore the representations of power and the power of representation in contemporary American and British photography. What is photography capable of doing? Whether in the form of a public person, the environment of power (emblematic places and explicit or underlying forms) or its symbolism, what is photography capable of revealing about power itself? Political, institutional, economic or social power all depend upon a system of relations or tensions between groups or individuals (accepted, rejected, questioned, expressed visually or internalized) participating in the construction of the identity, myths or memories of the American or British nations. In what manner does photography enhance or contribute to this construction or deconstruction of the notion of identity and nation?

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