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Nanterre
Call for papers - Representation
Picturing Tomorrow: Future-directed Imagination in American Art
How do we understand the concept of the future? Is it inevitable and shaped by a long sequence of events and interconnected chance occurrences? Or do we conceive of it as something that is determined by our actions and decisions in the present day? Is it a pure potentiality, a promise of a radically different world and yet unimaginable existence? Or is it something that is forever unreachable, something that defines our experience of the present as a perpetual state of deferral and transience?
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Nanterre
Conference, symposium - Prehistory and Antiquity
Textiles and Gender: Production to wardrobe from the Orient to the Mediterranean in Antiquity
Textiles and gender intertwine on many levels, from the transformation of raw materials into fabric at one end, to dress and garments, and the construction of identity at the other. The conference will examine the gender division of work in the production of textiles, as well as attitudes to dress and gender across the Near East and Mediterranean culture in antiquity (c. 3000 BCE-300CE), tracing both cross-cultural and culturally specific associations.
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Neuilly-sur-Seine
Miscellaneous information - Sociology
Towards a History of Socioeconomic Rights
This research workshop is organized by Charles Walton, fellow at the Paris Institute for Advanced Studies.
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Nanterre
Call for papers - Early modern
The second international conference of the French Society for Modernist Studies
In continuation of the society’s inaugural conference on Modernist communities, we now propose to explore the debate over emotions in the Modernist era. We hope to foster reflection and discussion that will go beyond the paradox of a passionately anti-emotional Modernism towards a reconsideration of the large extent to which Modernism attempts to channel, remotivate, and revalue the power of emotion. -
Nanterre
Conference, symposium - Ethnology, anthropology
Musical narratives, performances, and reconstructions of the past (20th-21st centuries)
The quest to reconstruct thestyles and histories of musical genres of the past is an old preoccupation. Since the 19th century, the orientalist imaginary contributed considerably to the notion of the existence of "origin-musics". Whether "Pharaonic", "Arab", or "Hindu", a common reference to the past, seen as prestigious and immutable, contributed to the rationalization of musical knowledge on the basis of constructed connections. The orientalist period being relatively well documented, this workshop is more focused on ways of speaking of and describing the past over the course of the 20th century and into the 21st.
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Nanterre | Saint-Denis
Powers, identity, and resistance in the visual arts in Chile, 19th-21st century
Le nouveau colloque que nous proposons se situe dans la continuité des colloques célébrés en 2011 et 2013, puisqu’il envisage de mettre en perspective l’histoire contemporaine et les arts visuels chiliens en étendant la période jusqu’au temps présent. Ainsi, le colloque se propose de reprendre des concepts analysés lors de deux rencontres précédentes en les interrogeant, cette fois, du point de vue de la création et des arts visuels chiliens.
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