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• 24 jan 2019

  25 jan 2019

  Strasbourg

  Conference, symposium - Sociology

  Biographies, Mobilities, and the Politics of Migration

  Midterm conference of the Research Network “Sociology of Migration” of the European Sociological Association

  Current political and media discourses on the questions of “integration”, “belonging” and “borders” are dominated by the perspectives of Western nation states. The objective of this midterm conference of the Research Network 35 “Sociology of Migration” of the European Sociological Association (ESA) is to shift the focus to the perspectives of those who are labeled and talked about in these debates and who become the target of ever-more complex and differentiated border and mobility regimes. This conference will, in other words, interrogate the way belongings and borders are presently challenged and reshaped on different levels (local, national, international) and how biographical perspectives in migration research can shed new light on these processes.

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• 30 sep 2016

  Strasbourg

  Call for papers - Sociology

  Undisciplined

  This call for papers seeks the contributions of inter-, pluri-, poly-disciplinary researchers – ‘undisciplinary’, a term from Edgar Morin (2005). Indeed, we seek the input of the undisciplined: the reflections borne from their respective practices.

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• 07 jui 2013

  08 jui 2013

  Strasbourg

  Conference, symposium - Political studies

  Changing the Tune: Popular Music and Politics in the XXIst century

  From the fall of communism to the Arab spring

  Popular Music scholars have devoted considerable attention to the relationship between music and power. The symbolic practices through which subcultures state and reinforce identities have been widely documented (mainly in the field of Cultural, Gender and Postcolonial Studies), as has the increasingly political and revolutionary dimensions of popular music. Most studies have focused on the genres and movements that developed with and in the aftermath of the 1960’s counterculture. Yet little has been written about how the politics of popular music has reflected the social, geopolitical and technological changes of the late 20^th and early 21^st centuries, after the fall of Communism. Still, the music of the Arab Spring or of the Occupy and Indignados movements have been scarcely commented upon while they attest to significant changes in the way music is used by activists and revolutionaries today.

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