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Strasbourg
Is the concept of sustainability misleading?
Mixed Perspectives
The Symposium will thus offer an excellent opportunity to question the concept of sustainability at the crossroads of our various disciplines and practices, in order to better understand and master the way it affects environmental research lato sensu. The ambition of this symposium will be to contribute to the emergence of a “new innovative sustainability science discipline” by questioning the misuse that may have been made of the concept over the last forty years, by reflecting on the means of ruling out such abuses, by rigorously drawing the contours of “environmental sustainability” and by trying to understand how it still makes sense.
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Strasbourg
Geoarchaeology and archaeology of the city of Cádiz, Spain
This workshop-seminar organised in Strasbourg will be focusing on the archaeology and geoarchaeology of Cádiz. New sedimentary cores drilled in a marine palaeochannel crossing the city in Antiquity will be discussed. Researchers from the University of Cádiz, the CNRS, the ENGEES, and the University of Strasbourg will be present.
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Strasbourg
Conference, symposium - Political studies
Changing the Tune: Popular Music and Politics in the XXIst century
From the fall of communism to the Arab spring
Popular Music scholars have devoted considerable attention to the relationship between music and power. The symbolic practices through which subcultures state and reinforce identities have been widely documented (mainly in the field of Cultural, Gender and Postcolonial Studies), as has the increasingly political and revolutionary dimensions of popular music. Most studies have focused on the genres and movements that developed with and in the aftermath of the 1960’s counterculture. Yet little has been written about how the politics of popular music has reflected the social, geopolitical and technological changes of the late 20th and early 21st centuries, after the fall of Communism. Still, the music of the Arab Spring or of the Occupy and Indignados movements have been scarcely commented upon while they attest to significant changes in the way music is used by activists and revolutionaries today.
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