Sort

By publication date

By relevance

• 05 jui 2020

  Lille

  Call for papers - Representation

  The Measurement of Images: Computational Approaches in the History and Theory of the Arts

  DHNord2020

  The DHNord colloquium brings together the digital humanities community every year at the Maison Européenne des Sciences de l'Homme et de la Société in Lille. The theme chosen for 2020 considers computational approaches to images in the history and theory of the arts. This conference will bring together for the first time in France the leading specialists in artificial intelligence applied to the arts.

  Read announcement

• 30 mar 2020

  Paris

  Call for papers - Modern

  Displaying the social history of migrants: content, scenography, public engagement

  Donner à voir l’histoire sociale des migrations: contenus, scénographies, médiations

  We seek proposals from post-doctoral scholars, recent PhDs, as well as those in the final stages of their dissertations with a background in related fields, in particular migration studies and social history, especially as they intersect with museum studies and/or public history. Participants will discuss, from a theoretical and a practical point of view, the best ways to display, in an exhibition context, the daily experience of past migrations in all their social dimensions.

  Read announcement

• 01 jui 2018

  Funchal

  Call for papers - Urban studies

  Voyage and Cosmopolitanism: From the Island to the World

  We intend to problematize various issues in the current scholarship of the humanities and social sciences from inter- and cross-cultural perspectives: cultural heritage, culture and globalization, identity and the sense of belonging, the impact of (re)writing literatures and other arts within the ethics of "reliance", proposed by Edgar Morin, and of the universalizing singularities, in Alain Badiou's view.

  Read announcement

• 15 fév 2017

  Nice

  Call for papers - Modern

  Framing Street Art

  Cross-disciplinary International Conference by Nice Street Art Project

  Art is everywhere. You just have to open your eyes and/or decide that something is art. This is what Ernest Pignon-Ernest showed when he glued frames on the walls of Nice, France, from 2004 to 2013. Known for the celebration of the chosen place as a place of poetry and history, the artist used the frame as a sign to reveal the artistic potential of the walls, ie a tool of “artification”. The frame refers to the museum piece, which it encircles, protects and highlights. By definition, street artworks don’t have a physical frame, if by Street Art we mean a self-authorized art situated in the public place or in abandoned places, or any form of site-specific art. Nevertheless, the frame is an essential and problematic question in many regards.

  Read announcement

• 31 aoû 2012

  Paris

  Call for papers - History

  The Work of Art, Particular and Universal

  At the same time symbols of a specific cultural identity and bearers of a message of universal level, the art pieces and their interpretations carry a semiotic tension. The matter of this symposium is to explore the dialectic between identity and universality from the historical point of view and through three different thematic.

  Read announcement