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• 05 mar 2020

  06 mar 2020

  Charleroi

  Conference, symposium - Sociology

  Women of glass, glass-making women

  Cette rencontre internationale, inédite, alterne communications à caractère historique et témoignages vivants, associant ainsi le regard de scientifiques et universitaires à ceux de professionnels de la pratique du verre, des cheffes d’entreprise, des musées et tout simplement des passionnés. Y sera cernée la place occupée par la gente féminine en verrerie, monde que l’on disait pourtant réservé aux hommes, aussi loin que remontent les études réalisées. Or, en faisant le choix de multiples aller-retour entre le passé et le présent, l'on comprend désormais combien la femme a toujours été présente en verrerie et l'est toujours.

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• 18 jan 2015

  Liège

  Call for papers - Early modern

  Over and Over

  Exploring repetition in popular music

  Over and Over: Exploring repetition in popular music aims at identifying and studying the recent aesthetic and analytical developments of musical repetition. From the 32-bar forms of Tin Pan Alley, through the cyclic forms of modal jazz, to the more recent accumulation of digital layers, beats, and breaks in Electronic Dance Music (EDM), repetition as both an aesthetic disposition or formal musicological property stimulated a diversity of genres and techniques. After decades of riffs, loops, vamps, reiterated rhythmic patterns, as well as pervasive harmonic formulae and recurring structural units in standardized song forms, the time has come to give these notions the place they deserve in the study of popular music.

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• 30 jui 2013

  Leuven

  Call for papers - History

  In-Corporate. The Human Sciences in Business History: between Naturalization and Legitimization (1880-1940)

  Even if human scientists and business executives like to argue otherwise, the human sciences have always been in-corporated. Without them, the modern business corporation would simply have been unimaginable, just as the production and consumption of working bodies within these corporations. ‘The Firm’ continues to frame itself as a fundamental human enterprise, in which the prominence of human ressources and human relations only continues to increase, yet the humanities of the business corporation largely remain to be written.

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