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• 30 oct 2020

  Oxford | Paris

  Call for papers - Representation

  Poetics, Politics and the Ruin in Cinema and Theatre since 1945

  References to Ancient times have been made in Europe between the two World Wars and the Classical served the idea of “a return to order” considered by some as necessary after the heresies of the avant-gardes. Indeed, the Classical has been manipulated by Fascist and Nazi ideologies in orchestrating the Second World War and the Holocaust. This conference intends to study how artistic processes as well as works of theatre and cinema record the historical and artistic consequences of this trauma in Europe by reinventing Antiquity, in particular, by working with ruins both politically and poetically. While this research is initially rooted in classical reception and theatre and cinema studies, the conference intends to dialogue with other fields including archaeology, aesthetic philosophy, political sciences, anthropology, and media theory.

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• 15 mar 2020

  Coventry

  Call for papers - Ethnology, anthropology

  In the Wake of Red Power Movements. New Perspectives on Indigenous Intellectual and Narrative Traditions

  This symposium focuses on new perspectives and visions that have been developed over the last 50 years within Indigenous studies and related fields when looking at Indigenous land and land rights, Indigenous political and social sovereignty, extractivism and environmental destruction, oppressive sex/gender systems, and for describing the repercussions of settler colonialism in North America, especially in narrative representations.

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• 23 mar 2020

  London

  Call for papers - Modern

  Revolutionary cosmopolitanism. Transnational migration and political activism, 1815-1848

  The period 1815-1848 not only was characterized by several waves of revolution in Europe, the Atlantic world and beyond, but also by large movements of migration. Although these migrations can often be associated with political uprisings, only few connections have been made between the study of migration history and history of political thought and practices. This one-day conference aims to bring together these different strands of research and to discuss how experiences of migration and cross-boundary mobility contributed to the formation of common revolutionary cultures in the period 1815-1848.

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• 08 jan 2020

  Cambridge

  Scholarship, prize and job offer - History

  PhD funding, France and the Second World War: the Cambridge Chadwyck-Healey Liberation Collection (1944-1946)

  Cambridge University Library is delighted to have received an Arts and Humanities Research Council (AHRC) Collaborative Doctoral Award, and invites applications for PhD studentships, starting in 2020-2021. The successful PhD candidate will receive funding to work on the Chadwyck-Healey Liberation Collection (1944-1946), as part of the Doctoral Training Partnership with The Open University.

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• 01 déc 2019

  London

  Call for papers - History

  Locating medical television

  The televisual spaces of medicine and health in the 20th Century

  Medical television programmes, across their history, have had specific relationships to places and spaces. On the one level, they have represented medical and health places: consulting rooms, hospitals, the home, community spaces, public health infrastructures and the rest. As television-producers have represented these places, there has been an interaction with the developing capabilities of television technologies and grammars. Moreover, producers have borrowed their imaginaries of medical and health places from other media (film, photographs, museum displays etc.) and integrated, adjusted and reformulated them into their work.

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• 31 jan 2020

  Huddersfield

  Study days - History

  Music and Political Democratisation in Late Twentieth Century

  This event aims to innovatively question how musical practices formed ways of imagining democracy in the democratic transitions that took place after Portugal’s ‘Carnation Revolution’ in 1974 – what Huntington (1991) called the ‘third wave’ of democratisation, which involves more than 60 countries throughout Europe, Latin America, Asia, and Africa. Rather than studying music’s diverse deployments within these political contexts (music ‘in’ transitions to democracy), these study days place the emphasis upon ways in which music embodies democratisation processes and participates in the wider social struggle to define freedom and equality for the post-authoritarian era (hence the ‘and’ in the title of the event).

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• 26 sep 2019	10 oct 2019	14 oct 2019
  04 déc 2019	30 jan 2020	...

  London

  Seminar - Political studies

  French Politics: A Neighbour's 'History of the Present'

  “French Politics: A Neighbour’s ‘History of the Present’” is a monthly seminar series organised by the University of Westminster (Centre for the Study of Democracy and Institute for Modern and Contemporary Culture), introducing the “crème de la crème” of French research in Social Sciences and Humanities. This series is designed with the Foucauldian notion of “history of the present” in mind and will tackle some of the most pressing challenges of French politics and political theory today. 

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• 29 avr 2019

  Belfast

  Call for papers - Europe

  Disconnections

  The public administration disconnected? The loss of the citizen bond and the break in the chain of public values

  L’actualité politique nous invite à interroger les déconnexions au sein de la chaîne des valeurs publiques. Quelles sont les manifestations et les causes d’une « administration déconnectée » ? Comment rencontrer les défis concomitants de l’action des gouvernements : (a) la difficulté de produire par l’action publique des effets socio-économiques justes, effectifs et perçus comme tels par les citoyens et (b) la difficulté à créer des boucles de rétroaction efficaces avec les usagers, les citoyens et l’opinion publique ?

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• 06 avr 2019

  Portsmouth

  Miscellaneous information - Representation

  Magic, exits/endings and water: How does performance escape?

  In this day-long event at the University of Portsmouth, the Theatre, Performance and Philosophy Working Group and the Applied and Social Theatre Working Group come together to interrogate how an exit from today’s crisis of reality might be envisioned and conjured through performance.  

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• 08 avr 2019

  Guildford

  Call for papers - Representation

  Dispossession: Agency, ecology and theatrical reality

  TaPRA Theatre, Performance and Philosophy Working Group

  In Ursula Le Guin’s 1974 novel The Dispossessed: An Ambiguous Utopia, children are educated to engage only with what interests others; the opposite is considered self-indulgence, condemned as “egoizing”. The disowning of any idea of the self is considered a virtue, as is the ability to speak the language of others. Le Guin’s novel fictionalises a common narrative in processes of 20^th and early 21^st century art: the withdrawal of the self. In relation to concurrent processes that reclaim agency for those who are already dispossessed, that call for the legitimisation of systematically marginalised voices, is the withdrawal of the self merely a privilege? How might wilful dispossession and agency be related through difference, as interconnected transitions of power, in such a way that reveals theatricality in the construction of reality?

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• 31 déc 2019

  Oxford

  Scholarship, prize and job offer - Thought

  Research residencies at the Maison française d'Oxford

  La Maison française d’Oxford (MFO, USR 3129, UMIFRE 11) accueille des chercheurs CNRS et/ou des enseignants-chercheurs en provenance des établissements supérieurs d’enseignement et de recherche français pour une durée de deux années consécutives. Ces chercheurs ou enseignants-chercheurs doivent présenter des projets de recherche s’inscrivant dans une perspective interdisciplinaire (si possible sciences humaines/sciences exactes ou humanités numériques) et privilégiant une approche franco-britannique. Ces projets de recherche devront, de préférence, être en synergie avec les disciplines et thématiques prioritaires définies pour l’année en cours, et/ou avec les axes de recherche existants de la MFO présentés sur le site internet.

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• 10 jan 2019

  Norwich

  Call for papers - Political studies

  Exploring ‘francophone’ environmental justice approaches

  Anglo-american and francophone environmental justice approaches have largely evolved in parallel, both conceptually and politically. While anglophone EJ scholars have recently called for enlarging the conceptual underpinnings of environmental justice studies, ‘francophone’ influences have largely remained a blind spot in the literature. This panel focusses on the distinctiveness (or lack thereof) of French/francophone approaches to environmental justice. We hope to move this conversation forward by establishing cross-Channel connections between academic environmental justice networks in the UK and in France.

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• 31 jan 2019

  Huddersfield

  Call for papers - Thought

  Music and Democracy: beyond Metaphors and Idealization

  This study day aims to interrogate the experimental and novel socialities, imagined communities and social and institutional conditions summoned into being by 'democratic' forms of music-making: What is the nature of a 'democratic ideal' in music (or art-making more widely)? What is achieved, politically, by rethinking the way in which music is made? When does such rethinking affect the wider domain of social relations, and when does it not? If democratic music-making can help with the wider democratisation of social life, how does it do so? When and how is ‘democratic' music more than just a metaphor?

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• 15 aoû 2018

  Cambridge

  Call for papers - Political studies

  Monarchy and modernity since 1500

  Si l’histoire de l’Europe est essentiellement celle d’États monarchiques, les monarchies encore en place au lendemain de la seconde Guerre mondiale ne ressemblent plus guère à celles qui régissaient le continent à la fin du Moyen Âge. L’époque contemporaine a transformé la monarchie comme état de fait en une opinion, dans le même mouvement qui faisait basculer un monde marqué par l’omniprésence du sacré vers un autre marqué par celle du profane. Les désignants ont pu demeurer inchangés – tout comme se sont perpétués familles, domaines et résidences princières -, mais leur sens s’est modifié en profondeur au fil des siècles et au gré des pays, transformant les mécanismes et les fonctions du pouvoir monarchique comme sa substance même.

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• 19 mai 2018

  London

  Conference, symposium - Europe

  Stages of Utopia and Dissent, 50 years on...

  15 May 1968: the Odeon theatre in Paris is occupied by students and becomes the insurgent headquarters where every night militants recount the days' action in occupied factories to an audience of people camping in the auditorium. Youth rebellion was never as mythologised as that of the French students’ fight against institutional oppression. The effects were felt across the Channel, too – but the nature of those effects was, and remains, disputed. 50 years on… where are we? What remains of autogestion and emancipatory education? What remains of theatre inventiveness and sedition? What remains of a need for participatory audiences? What remains of utopia and dissent?

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• 02 mai 2018	03 mai 2018	04 mai 2018
  05 mai 2018	06 mai 2018

  Paris | Nanterre | London

  Lecture series - Political studies

  Global '68 - Solidarity in Alliance and Global History

  1968 was a year of offensives, uprisings, and demonstrations against capitalism and imperialism, for liberation and emancipation and the war in Vietnam was its epicenter. The events claimed many victories for democracy, equality, and emancipation, but also provoked deep, abiding repression. A counterfeit history has subsequently erased police violence and the deaths of participants, removed workers, women, students, and indigenous peoples from the picture, and eliminated anti-Americanism, anti-imperialism, anti-capitalism, as well as the profound influences of the wars and interventions in Algeria, Latin America, and Vietnam. “Global 68” will retrieve the aspirations, energies, memories, and histories of this worldwide movement and offer hope to a new generation of activists.

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• 20 avr 2018

  London

  Call for papers - Representation

  Reaching/Outreaching

  TaPRA Theatre, Performance and Philosophy Research Event

  In On Being Included, Sara Ahmed argues that institutional commitments to diversity may be considered “non-performatives”: they do not bring about what they name. Institutions run diversity workshops and committees, outreach programmes and ‘participatory’ or ‘inclusive’ agendas, but where does the gesture stop, and where does it begin? How may we understand the choreography and the dramaturgy of institutional outreaching? How can we begin to detour this language so as to rethink the role of the university – and of artistic practice – in public life today? Does the university have a role to play in public life, and what might that be? Does this equate with ‘outreach’? What is the relationship between artistic practice and what may be termed ‘creative research’?

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• 20 avr 2018

  Aberystwyth

  Call for papers - Thought

  Dialectics of Dread and Refuge

  Theatre, Performance and Philosophy Working Group (TaPRA Conference)

  In A Grammar of the Multitude, Paolo Virno discriminates between the Kantian view of the dialectic of dread and refuge, which is based on a distinction between particular danger and absolute danger (also articulated by Heidegger through the distinction between fear and anguish) and the collapse of this distinction in the post-Fordist world, in which "the dividing line between fear and anguish, between relative dread and absolute dread, is precisely what has failed." (Virno 2004, 32) If post-Fordist institutions rely on a culture of pervasive dread – manifest as fear and anxiety – how do we resist this nearly intangible culture today? Arguably, we are moving beyond the sort of entrenched paralysis Virno speaks of, towards a new sort of political breakthrough, a manner of imagining life not determined by institutional cultures of fear and anxiety. Yet much thinking needs still to be done around the ways in which we engage in concerted resistance: do we fight within institutional walls – and if so, how do we resist systems of perpetual visibilisation – the gaze of securitization that renders us so exposed? What does this fight look like? Do we exit – and if so, where to? Is there a new underground? 

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• 02 mar 2018

  Leeds

  Call for papers - Modern

  Memory and performance in African-Atlantic futures

  This conference examines how African diaspora performative intervention through theatre, visual art, law, the museum, etc., is challenging colonialist structures in the present. It seeks to produce new insights around  memory as a tool that connects individuals and groups not only to their pasts but to their futures.

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• 21 jui 2018

  Coventry

  Call for papers - Modern

  Between and Beyond

  Transnational Networks and the British Empire (Ca. 18-20th centuries)

  This workshop intends to bring together research scholars of history and affiliated fields working on transnational networks fostered through the British Empire. We wish to focus on how certain forms of the “empire”, the “colony”, and the “outside” mutually constituted each other. Such an approach, we believe, could illumine the dense transnational convergences that shape the political, the economic, the social, and the cultural in various locations simultaneously. 

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