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• 19 mai 2018

  Londres

  Coloquio - Europa

  Stages of Utopia and Dissent, 50 years on...

  15 May 1968: the Odeon theatre in Paris is occupied by students and becomes the insurgent headquarters where every night militants recount the days' action in occupied factories to an audience of people camping in the auditorium. Youth rebellion was never as mythologised as that of the French students’ fight against institutional oppression. The effects were felt across the Channel, too – but the nature of those effects was, and remains, disputed. 50 years on… where are we? What remains of autogestion and emancipatory education? What remains of theatre inventiveness and sedition? What remains of a need for participatory audiences? What remains of utopia and dissent?

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• 02 mai 2018	03 mai 2018	04 mai 2018
  05 mai 2018	06 mai 2018

  París | Nanterre | Londres

  Ciclo de conferencias - Estudios políticos

  Global '68

  1968 fut une année de luttes, d’insurrections, d’offensives et de manifestations contre le capitalisme et l’impérialisme dont la guerre du Viêt Nam fut l’épicentre. La démocratie, l’égalité et l’émancipation y gagnèrent mais ces luttes rencontrèrent aussi une répression brutale et meurtrière. Des récits révisionnistes ont cherché à effacer la violence policière et la mort de combattants, à estomper le rôle des ouvriers, des femmes, des étudiants et des peuples autochtones, et à éliminer l’importance de l’anti-Américanisme comme de l’anti-impérialisme et de l’anticapitalisme, ainsi que les profondes influences qu’eurent ces mouvements sur les guerres de libération en Algérie, en Amérique Latine et au Viêt Nam.

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• 28 fév 2018

  East London

  Convocatoria de ponencias - Representaciones

  Stages of Utopia and Dissent

  50 years on…

  15^th May 1968: the Odeon theatre in Paris is occupied by students and becomes the insurgent headquarters where every night militants recount the days' action in occupied factories to an audience of people camping in the auditorium. Youth rebellion was never as mythologised as that of the French students’ fight against institutional oppression. The effects were felt across the Channel, too – but the nature of those effects was, and remains, disputed. 50 years on… where are we? What remains of autogestion and emancipatory education? What remains of theatre inventiveness and sedition? What remains of a need for participatory audiences? What remains of utopia and dissent?

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• 01 avr 2018

  Preston

  Convocatoria de ponencias - Sociología

  Women’s spring: feminism, nationalism and civil disobedience

  The aim of this conference is to explore the ways in which female activists and artists responded the resurgence of the far-right nationalism and the twin evil of religious fundamentalism. We want to take a closer look at grassroots emancipatory movements, women-led voluntary associations, as well as cultural texts by women – performances, installations, artworks, films and novels – in which authors take a stance against religious bigotry, xenophobia, homophobia, racism and misogyny. But we also invite contributions that focus on women’s endorsement of and participation in ultra-conservative national and orthodox religious campaigns.

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• 16 fév 2017

  Huddersfield

  Convocatoria de ponencias - Estudios políticos

  Finding Democracy in Music

  For a century and more musicians have sought to relate their practices to the values of democracy. But political theory teaches that democracy is a highly contested category. This symposium aims to interrogate claims for the “democratic” nature of music.

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• 23 avr 2016

  Londres

  Jornada de estudio - Pensamiento

  Protest in French and Francophone Arts and Culture

  Society for French Studies Postgraduate Conference 2016

  Protest is an intrinsic part of human culture, which enables subjects to express their dissatisfaction with existing social structures and hegemonic hierarchies of power. Protests have occurred across time periods and contexts, and have taken numerous different forms, ranging from personal expressions of discontent to united movements for revolutionary change. Protests can be individual or collective, personal or political, spontaneous or carefully planned, but they are generally orientated towards destabilising the status quo and establishing new modes of existence. Over the ages, political, social and cultural protests have successfully toppled authoritarian regimes, exposed and confronted dominant imbalances of power, and ameliorated conditions for disenfranchised members of society.

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• 23 jui 2011

  Cardiff

  Convocatoria de ponencias - Estudios políticos

  The Appropriations of Public Policies by Citizens

  Sixth International Conference in Interpretive Policy Analysis

  Au-delà des oppositions entre les approches « top down » et « bottom up » de l’action publique, rares sont les travaux questionnant les appropriations des politiques par leurs publics. Les publics des institutions ne constituent pas un ensemble homogène et on peut différencier les attitudes des acteurs sociaux face à la mise en œuvre des politiques dans différents secteurs. On peut faire l’hypothèse que les trajectoires, ressources et propriétés sociales des administrés influent sur les appropriations qu’ils font de l’action publique.

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• 04 déc 2008

  Southampton

  Convocatoria de ponencias - Etnología, antropología

  Music and Migration

  This conference will explore the relationship between music and migration by providing new insights into the creative practices and life-stories of migrant artists across the globe. A core theme of the conference will be the motivations and experiences of migrant musicians who leave, return, stay or move beyond their localities. Through the focus on such specific groups of migrants the conference aims to throw light on their identifications in their artistic and every-day lives. Past and on-going research shows that patterns of migration are clearly linked to transnational networks. By focusing on the role of migrant musicians within such networks, this conference seeks to analyse and understand the extent to which musicians’ networks may or may not be special cases within migration studies.

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