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  • London

    Call for papers - Middle Ages

    The Classics in the Pulpit. Ancient Literature and Preaching in the Middle Ages

    The aim of the conference is to shed new light on this both striking and irritating practice. Papers (25 min) can deal with topics such as the reasons and occasions for the use of the classics in preaching, the hermeneutic and literary strategies applied in order to adapt pagan mythology to homiletic needs, the social and educational background of preachers and their audiences, the connections of classicizing sermons with other fields of literature such as vernacular poetry, or the discourse they provoked within the clerical milieu. Applications from all relevant disciplines (e.g. history, literature, theology, philosophy) are welcome.

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  • Preston

    Call for papers - Sociology

    Women’s spring: feminism, nationalism and civil disobedience

    The aim of this conference is to explore the ways in which female activists and artists responded the resurgence of the far-right nationalism and the twin evil of religious fundamentalism. We want to take a closer look at grassroots emancipatory movements, women-led voluntary associations, as well as cultural texts by women – performances, installations, artworks, films and novels – in which authors take a stance against religious bigotry, xenophobia, homophobia, racism and misogyny. But we also invite contributions that focus on women’s endorsement of and participation in ultra-conservative national and orthodox religious campaigns.

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  • Oxford

    Call for papers - Early modern

    Printing and misprinting: Typographical mistakes and publishers’ corrections (1450-1600)

    This one-day symposium – opening with a keynote lecture by Anthony Grafton (Princeton) – aims to explore the notions of typos and manuscript or stop-press emendations in early modern print shops. Building on Grafton’s seminal work, scholars are invited to present new evidence on what we can learn from misprints in relation to publishers’ practices, printing and pre-publication procedures, and editorial strategies between 1450 and 1600.

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  • Paris | Arles | Stirling | New Haven

    Call for papers - Language

    The humanities factory

    New training program for translators in philosophy, the humanities and social sciences

    ATLAS, association pour la promotion de la traduction littéraire, lance un appel à candidature pour quatre ateliers intensifs d’une semaine en résidence, consacrés à la traduction en sciences humaines et sociales (anglais-français). Encadrés par deux traducteurs expérimentés, ces ateliers réunissent de jeunes chercheurs francophones et anglophones pour approfondir leurs compétences traductives dans leur domaine de recherche. Consacrées aux domaines de l'histoire, de la philosophie, de la sociologie et de l'anthropologie et de la pensée critique, ces quatre sessions se tiendront respectivement à l'université de Stirling (du 04/12/17 au 08/12/17), à Arles (CITL, du 18/12/17 au 22/12/17), à Paris (EHESS, du 08/01/18 au 12/01/18) et à l'université de Yale (États-Unis, du 16/01/18 au 20/01/18).

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  • Cambridge

    Conference, symposium - History

    Imagined Civities

    Cities and Alternatives in the 19th Century

    Imagined Civities is an interdisciplinary conference examining the changes in the Victorian city. Stemming from The Guild, the 19th century seminar held at Cambridge University, the conference aims to explore any aspect of cultural and intellectual responses to urbanisation in the 19th century. The keynote address will be delivered by Prof. Peter Mandler.For more information and registration, please see http://theguild.posterous.com/

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  • London

    Call for papers - Sociology

    Pop moves. Amplifying movements, new directions in popular dance studies

    The PoP (Performances of the Popular) Moves committee is now inviting submissions for the 2011 symposium, “Amplifying Movement: New directions in popular dance studies.” This annual gathering will bring together scholars and practitioners whose emphasis is on novel and challenging approaches to the study of popular performances, with a particular focus on interdisciplinary methodologies and their contributions to the growing field of popular dance studies. All areas of interest and themes are welcome. The list below is offered as a means to entertain and encourage combinations that may expand and stimulate conversations containing new configurations, collaborations and directions.

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