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London
The Classics in the Pulpit. Ancient Literature and Preaching in the Middle Ages
The aim of the conference is to shed new light on this both striking and irritating practice. Papers (25 min) can deal with topics such as the reasons and occasions for the use of the classics in preaching, the hermeneutic and literary strategies applied in order to adapt pagan mythology to homiletic needs, the social and educational background of preachers and their audiences, the connections of classicizing sermons with other fields of literature such as vernacular poetry, or the discourse they provoked within the clerical milieu. Applications from all relevant disciplines (e.g. history, literature, theology, philosophy) are welcome.
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Huddersfield
Music and Political Democratisation in Late Twentieth Century
This event aims to innovatively question how musical practices formed ways of imagining democracy in the democratic transitions that took place after Portugal’s ‘Carnation Revolution’ in 1974 – what Huntington (1991) called the ‘third wave’ of democratisation, which involves more than 60 countries throughout Europe, Latin America, Asia, and Africa. Rather than studying music’s diverse deployments within these political contexts (music ‘in’ transitions to democracy), these study days place the emphasis upon ways in which music embodies democratisation processes and participates in the wider social struggle to define freedom and equality for the post-authoritarian era (hence the ‘and’ in the title of the event).
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Huddersfield
Arts and Models of Democracy in post-authoritarian Iberian Peninsula
This two-day conference aims to innovatively question how artistic practices and institutions formed ways of imagining democracy and by what means arts and culture participate in the wider social struggle to define freedom and equality for the post-Estado Novo and post-Francoist period: how did artistic practices instantiate ideas of democracy in this context? Inversely, how did such democratic values inform artistic practice? How did Portuguese and Spanish artists and intellectuals negotiate between creative autonomy and social responsibility? And more broadly, what is the role of culture in a democracy? The core purpose of the conference is to bring scholars together from different subject areas and exploring any artistic practice (literature, visual and plastic arts, cinema and music).
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Huddersfield
Music and Democracy: beyond Metaphors and Idealization
This study day aims to interrogate the experimental and novel socialities, imagined communities and social and institutional conditions summoned into being by 'democratic' forms of music-making: What is the nature of a 'democratic ideal' in music (or art-making more widely)? What is achieved, politically, by rethinking the way in which music is made? When does such rethinking affect the wider domain of social relations, and when does it not? If democratic music-making can help with the wider democratisation of social life, how does it do so? When and how is ‘democratic' music more than just a metaphor?
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Oxford
Conference, symposium - History
The study of scents and all things olfactory is currently thriving, a sign of the great interest that our information-based societies feel for a sense which seems to offer a direct and immediate experience of reality. The conference The Mediality of Smells aims to develop the nascent interdisciplinary exchange around smells by examining the question of the media and the possible mediatisation of smells.
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London
Call for papers - Representation
TaPRA Theatre, Performance and Philosophy Research Event
In On Being Included, Sara Ahmed argues that institutional commitments to diversity may be considered “non-performatives”: they do not bring about what they name. Institutions run diversity workshops and committees, outreach programmes and ‘participatory’ or ‘inclusive’ agendas, but where does the gesture stop, and where does it begin? How may we understand the choreography and the dramaturgy of institutional outreaching? How can we begin to detour this language so as to rethink the role of the university – and of artistic practice – in public life today? Does the university have a role to play in public life, and what might that be? Does this equate with ‘outreach’? What is the relationship between artistic practice and what may be termed ‘creative research’?
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Coventry
“Bites Here and There”: Literal and Metaphorical Cannibalism across Disciplines
“Bites Here and There”: Literal and Metaphorical Cannibalism across Disciplines est une conférence qui aura lieu sur le campus de l'université de Warwick, en Angleterre, le 17 novembre 2018. L'anthropophagie a fasciné l'homme depuis l'antiquité, que ce soit en littérature, histoire, archéologie ou sciences sociales. De ce fait, cet appel a contribution invite chercheurs de toutes disciplines à envoyer un abstrait (en anglais) au sujet du cannibalisme litéral ou métaphorique pour le 17 juillet 2018.
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East London
Call for papers - Representation
50 years on…
15th May 1968: the Odeon theatre in Paris is occupied by students and becomes the insurgent headquarters where every night militants recount the days' action in occupied factories to an audience of people camping in the auditorium. Youth rebellion was never as mythologised as that of the French students’ fight against institutional oppression. The effects were felt across the Channel, too – but the nature of those effects was, and remains, disputed. 50 years on… where are we? What remains of autogestion and emancipatory education? What remains of theatre inventiveness and sedition? What remains of a need for participatory audiences? What remains of utopia and dissent?
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London
Broadcasting health and disease
Bodies, markets and television, 1950s-1980s
The three-day conference aims to investigate how television programmes in their multiplicity approached issues like medical progress and its limits, healthy behaviour or new forms of exercise by adapting them to TV formats and programming...The conference seeks to analyse how television and its evolving formats expressed and staged bodies, health and fitness from local, regional, national and international perspectives. How spectators were invited not only to be TV consuming audiences, but how shows and TV set-ups integrated and sometimes pretended to transform the viewer into a participant of the show. TV programmes spread the conviction that subjects had the ability to shape their own body.
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Oxford
Call for papers - Early modern
Printing and misprinting: Typographical mistakes and publishers’ corrections (1450-1600)
This one-day symposium – opening with a keynote lecture by Anthony Grafton (Princeton) – aims to explore the notions of typos and manuscript or stop-press emendations in early modern print shops. Building on Grafton’s seminal work, scholars are invited to present new evidence on what we can learn from misprints in relation to publishers’ practices, printing and pre-publication procedures, and editorial strategies between 1450 and 1600.
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London
Radical Americas 2017: Legacies
The fifth Radical Americas conference will take place at UCL Institute of the Americas, London on 11th and 12th September 2017. The conference falls in a year of many anniversaries, offering an opportunity to examine the legacies of various radical movements, events, writers, artists and activists. Yet the careful examination of the past should not distract us from the urgent tasks of the present, and we will consider the challenges for radicals in the Americas in the current conjuncture.
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Huddersfield
Call for papers - Political studies
For a century and more musicians have sought to relate their practices to the values of democracy. But political theory teaches that democracy is a highly contested category. This symposium aims to interrogate claims for the “democratic” nature of music.
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London
Radical Americas Symposium 2016
The theme of this year’s Radical Americas symposium is “Decolonizing Americas”, acknowledging the long arc of struggle for freedom since the period of European colonization of the Western Hemisphere in the 15th century. Our collaborative effort will be to consider how histories within the US, Latin America, and the Caribbean converge and depart in relation to the experience of anti-colonial and decolonizing social movements, many of which continue today. We will also consider the ways that cultural efforts, collectives, art, and intellectual projects shape radical imaginaries of freedom.
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London
Protest in French and Francophone Arts and Culture
Society for French Studies Postgraduate Conference 2016
Protest is an intrinsic part of human culture, which enables subjects to express their dissatisfaction with existing social structures and hegemonic hierarchies of power. Protests have occurred across time periods and contexts, and have taken numerous different forms, ranging from personal expressions of discontent to united movements for revolutionary change. Protests can be individual or collective, personal or political, spontaneous or carefully planned, but they are generally orientated towards destabilising the status quo and establishing new modes of existence. Over the ages, political, social and cultural protests have successfully toppled authoritarian regimes, exposed and confronted dominant imbalances of power, and ameliorated conditions for disenfranchised members of society.
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Edinburgh
Call for papers - Representation
The Progect Network for the study of progressive rock
Second International Conference
After the success of the first initiative in Dijon (2014), The Progect is organizing its second international conference on the 25th, 26th and 27th May 2016 in Edinburgh, UK. For this second event we encourage researchers to present papers that develop an interdisciplinary approach to progressive rock across three fields: musicology, sociology and media studies. We especially welcome papers that explore the ways in which these fields interact, complement or contradict each other.
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Belfast
San-Antonio international: representations, circulation, translations, exchanges
The subject of this two-day conference is the exchange processes between French and International cultures at play in and around the work of Crime Fiction author Frédéric Dard. Having started his literary career in 1938 and published more than 250 books until his death in 2000, the author is not only one of the most prolific and successful in the history of European literature, he is a very public figure too, having enjoyed intense media and critical attention in the last decades of his career. Identified mainly with the almost 200 San-Antonio novels he wrote between 1949 and 2000, the most popular and longest series of Crime novels written by a single French author, his image has been distorted by the bulk, preponderance and largely domestic nature of San-Antonio’s success.
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Belfast
Representations of Rurality in Crime Fiction and Media Culture
Interdisciplinary Approaches to "Setting the Scene"
The Institute for Collaborative Research in the Humanities at Queen’s University organises a two day Symposium in June 2015 (15 & 16th) as part of its theme of "Creativity in Imagined and Material Worlds". Devoted to representations of the rural, it will bring together studies in crime fiction and media culture looking at a variety of outlets such as fiction, film, television, comics, games and many others and inspect their various engagements with the concept of "rurality". Interdisciplinary papers are welcomed, but not contained to, Anthropology, Modern Languages, English, Film and Media Studies, History, Cultural Studies, Historical/Cultural/Rural Geography, Sociology, Spatial Planning. By bringing together an interdisciplinary group we will address how cultural constructions of the rural often ‘set the scene’ for crime fiction.
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Coventry
Representing Prisoner of War Experience
This one-day international conference will bring together researchers studying the experiences of prisoners of war and displaced people in times of conflict, with a particular focus on how these experiences have been narrated in various forms, both by the historical actors who underwent forced dislocation (captors and captives) and by researchers themselves.
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Oxford
Scholarship, prize and job offer - Sociology
Besse doctorate scholarship and French lecteur position at the Exeter College, Oxford (2012-2013)
Ces bourses ont pour origine le legs en 1951 par Antonin Besse, homme d'affaires français, d'une partie de sa fortune à l'Université d'Oxford dans le but de permettre à des étudiants français de venir poursuivre leur recherche à Oxford. Il s'ensuit que seuls les étudiants de nationalité française peuvent prétendre bénéficier d'une bourse Besse. Pour l'année 2012-2013, Exeter College (www.exeter.ox.ac.uk) offrira la bourse avec un poste de lecteur français, dont la rémunération totale sera de £10,000. Ceci inclut une bourse de £3000 et la rémunération pour une charge d'enseignement de langue française de 6 heures par semaine. Le boursier sera logé dans le Collège à titre gratuit, et bénéficiera de quelques dîners à « High Table ». -
London
“Ri yo avan yo riw”: Rebellion and Compliance of Womanhood in African-Diasporic Milieu
As defined by Hirsh, postmemory: “describes the relationship of the second generation of powerful, often traumatic experiences that preceded their births but that were nevertheless transmitted to them so deeply as to seems to constitute memories in their own rights” (2008). Applied to the African Diaspora, one may suggest that slavery and colonialism constitute a postmemory directly determining the approach to self of all members of the African Diaspora. This postmemory is so ingrained in these societies that the post-conflict backlash generally affecting women from former colonised or occupied countries, has hit African-Diasporic women in an extremely unusual way. In fact, it has been witnessed in several middle Eastern or South American societies that after liberationist conflicts, some societies would create a fantasised notion of womanhood allegedly pre-colonial, rejecting the former dominant culture to glorify their own root culture (Al Ali, Pratt 2007; Pankhurst 2007). In African-Diasporic milieu and in the same post conflict context, women were fed with dreams of European respectability of which the European middle class woman was archetypal. This rather complex situation generated great uneasiness as far as identity and womanhood were concerned. Beyond the debate around Négritude, Créolité and even Modernity, black women are yet to fit the general notion of “whut a [black] woman oughta be and to do”.Indeed, One can wonder at the ability of the new generation to fulfil the dream of respectability of its mothers (Burton, 1997) while complying with the demands of an increasingly neo-liberal environment. Coupled with the Festival Image of Black Women, this conference will be the opportunity to discuss the discrepancy between the image, the representation and the realities of African-Diasporic women. The aim is to identify the postmemories responsible for the social expectations of womanhood in a given community and how these expectations protect or injure the same women.
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