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• 15 mar 2020

  London

  Call for papers - Middle Ages

  The Classics in the Pulpit. Ancient Literature and Preaching in the Middle Ages

  The aim of the conference is to shed new light on this both striking and irritating practice. Papers (25 min) can deal with topics such as the reasons and occasions for the use of the classics in preaching, the hermeneutic and literary strategies applied in order to adapt pagan mythology to homiletic needs, the social and educational background of preachers and their audiences, the connections of classicizing sermons with other fields of literature such as vernacular poetry, or the discourse they provoked within the clerical milieu. Applications from all relevant disciplines (e.g. history, literature, theology, philosophy) are welcome.

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• 01 avr 2018

  Preston

  Call for papers - Sociology

  Women’s spring: feminism, nationalism and civil disobedience

  The aim of this conference is to explore the ways in which female activists and artists responded the resurgence of the far-right nationalism and the twin evil of religious fundamentalism. We want to take a closer look at grassroots emancipatory movements, women-led voluntary associations, as well as cultural texts by women – performances, installations, artworks, films and novels – in which authors take a stance against religious bigotry, xenophobia, homophobia, racism and misogyny. But we also invite contributions that focus on women’s endorsement of and participation in ultra-conservative national and orthodox religious campaigns.

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• 31 mai 2011

  London

  Call for papers - Sociology

  Pop moves. Amplifying movements, new directions in popular dance studies

  The PoP (Performances of the Popular) Moves committee is now inviting submissions for the 2011 symposium, “Amplifying Movement: New directions in popular dance studies.” This annual gathering will bring together scholars and practitioners whose emphasis is on novel and challenging approaches to the study of popular performances, with a particular focus on interdisciplinary methodologies and their contributions to the growing field of popular dance studies. All areas of interest and themes are welcome. The list below is offered as a means to entertain and encourage combinations that may expand and stimulate conversations containing new configurations, collaborations and directions.

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