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  • Berlin

    Call for papers - History

    Periodisation and temporality in a global context

    Le forum Transregionale Studien et la Max Weber Stiftung lancent un appel à communications pour participer à un colloque international de trois jours à Berlin sur le thème de des périodisations historiques envisagées dans une perspective transrégionale. Cette rencontre est co-organisée et conçue par Thomas Maissen (IHA), Barbara Mittler (Centrum für Transkulturelle Studien de l’université de Heidelberg) et Pierre Monnet (Institut franco-allemand de sciences historiques et sociales de Francfort). Elle débutera par une conférence inaugurale le 7 décembre et durera jusqu’au 9 décembre au fil de plusieurs sections thématiques.

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  • Berlin

    Conference, symposium - Representation

    Art History for Artists: Interactions Between Scholarly Discourse and Artistic Practice in the 19th Century

    The development of art history as a discipline during the 19th century has been variously associated with the politics of national identity, the needs of a growing bourgeois public in search of cultural capital, or of an expanding art market. However, the role of art training, and art practitioners themselves in the shaping of the discipline remains unexamined. Courses in art history had been systematically introduced in the curricula of art and architecture academies since the late 18th century, and spaces of art education count among the first institutional homes of the discipline, well before the establishment of autonomous university chairs. This conference aims to explore the interactions and productive tensions between art practice and art scholarship in the 19th century. 

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  • Berlin

    Call for papers - History

    Art history for artists: interactions between scholarly discourse and artistic practice in the 19th century

    The conference seeks to examine the shaping of art history as a discipline during the 19th century in relation to artistic training and exchanges between artists and scholars. The development of art history has been associated with an array of socio-political and economic factors such as the formation of a bourgeois public, the politics of national identity and state legitimacy or the needs of an expanding art market. This conference aspires to explore yet another, less studied dimension: the extent to which the historical study of art was also rooted in an intention to inform contemporary artistic production.

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