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• 28 fév 2018

  East London

  Beitragsaufruf - Darstellung

  Stages of Utopia and Dissent

  50 years on…

  15^th May 1968: the Odeon theatre in Paris is occupied by students and becomes the insurgent headquarters where every night militants recount the days' action in occupied factories to an audience of people camping in the auditorium. Youth rebellion was never as mythologised as that of the French students’ fight against institutional oppression. The effects were felt across the Channel, too – but the nature of those effects was, and remains, disputed. 50 years on… where are we? What remains of autogestion and emancipatory education? What remains of theatre inventiveness and sedition? What remains of a need for participatory audiences? What remains of utopia and dissent?

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• 22 sep 2017

  23 sep 2017

  Oxford

  Kolloquium - Europa

  Knowledge in Context

  Colloque en l'honneur de Laurence Brockliss et Colin Jones

  À l’occasion du vingtième anniversaire de la publication de ce livre et du départ en retraite de Laurence W. Brockliss, des collègues et anciens étudiants ont souhaité organisé un colloque en leur honneur. Ce livre représente un apport majeur à l’histoire de la médecine en intégrant les aspects sociaux, institutionnels et intellectuels pour construire une histoire renouvelée des savoirs à l’époque moderne. Il croise également les approches intellectuelles et culturelles des traditions historiographiques française et britannique et constitue un encouragement pour poursuivre ces échanges intellectuels.

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• 16 oct 2017

  Oxford

  Beitragsaufruf - Frühe Neuzeit

  Printing and misprinting: Typographical mistakes and publishers’ corrections (1450-1600)

  This one-day symposium – opening with a keynote lecture by Anthony Grafton (Princeton) – aims to explore the notions of typos and manuscript or stop-press emendations in early modern print shops. Building on Grafton’s seminal work, scholars are invited to present new evidence on what we can learn from misprints in relation to publishers’ practices, printing and pre-publication procedures, and editorial strategies between 1450 and 1600.

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• 04 sep 2015

  London

  Beitragsaufruf - Frühe Neuzeit

  Fabrications: Designing for Silk in the Eighteenth Century

  Joubert de la Hiberderie’s Le Dessinateur d’étoffes d’or, d’argent, et de soie (1765) was the first book to be published on textile design in Europe.  In preparation for the publication of an English translation and critical edition of the text this one day conference calls for papers that will analyse, critique, contextualise, review or otherwise engage with the Le dessinateur in the light of its themes: production, design, technology, education, botany and art.  Joubert’s manual argues for both a liberal and a technological education for the ideal designer. Such a person must, he argues, have detailed knowledge of the materials, technologies and traditions of patterned silk in order successfully to propose new designs; he or she must also have taste and an eye for beauty, which call, he says, for travel in order to see both the beauties of nature and those of art gathered in the gardens and galleries of Paris and the île de France.  

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• 30 nov 2010

  Cambridge

  Beitragsaufruf - Geschichte

  Art and Education from Antiquity to the Present Day

  The University of Cambridge Graduate Student Conference in History of Art will be held on the 12th and 13th of May 2011. The conference will cover the relationships between art and education over a wide geographical and chronological spectrum.

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