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• 03 fév 2020

  Paris

  Beitragsaufruf - Asien

  Artistic Activism in India (History, Practice, Paradigm and Circulation)

  “Artivism” encompasses artistic actions, which tackle social and political issues, reviving agitational practises defined in resistance to the planetary ideological hegemony they refer to as neoliberalism. This resurgent awareness of the political nature of artistic creation questions consensual discourses on the neutrality of art and aesthetics, often confined in their "autonomy" and impervious to the disorders of the world. Within artistic activism a dialectic between two entities, traditionally perceived as being of a different nature, is played out: on the one hand the field of art (too often defined as autonomous, with no other functionality than its own) and on the other hand in the field of politics and social activities on the other hand (thought out as a praxis of the exercise of the power in an organized society). The central question posed by artistic activism could be stated in this way: How can we evaluate the capacity of art (visual arts, performing arts, literature, theatre, dance, video art, cinema, etc.) to function as social and political protest?

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• 12 mai 2014

  Paris

  Fachtagung - Politikwissenschaften

  Karachi : Ordered Disorder and the Struggle for the City

  With a population exceeding twenty million, Karachi is one of world’s largest ‘megacities’. It is also one of the most violent. Since the mid-1980s, Karachi has endured endemic political conflict and criminal violence, which revolve around control of the city and its resources (votes, land and bhatta—‘protection’ money). These struggles for the city have become ethnicised. In the process, Karachi, often referred to as a ‘Pakistan in miniature’, has become increasingly fragmented, socially as well as territorially.

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