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Berlin
Conference, symposium - Representation
The development of art history as a discipline during the 19th century has been variously associated with the politics of national identity, the needs of a growing bourgeois public in search of cultural capital, or of an expanding art market. However, the role of art training, and art practitioners themselves in the shaping of the discipline remains unexamined. Courses in art history had been systematically introduced in the curricula of art and architecture academies since the late 18th century, and spaces of art education count among the first institutional homes of the discipline, well before the establishment of autonomous university chairs. This conference aims to explore the interactions and productive tensions between art practice and art scholarship in the 19th century.
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Paris
Exploring 19th and 20th centuries historiographies of mathematics in the ancient world (2015-2016)
Seminar of the European Research Council Project "Mathematical sciences in the ancient world"
The organization of this seminar marks the beginning of the third and last phase of the SAW project. Our aim is to explore various facets of 19th and 20th century historical research about ancient mathematical sciences, especially those attested to by sources written in Chinese, the languages of the Indian subcontinent and cuneiform script.
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Paris
History and Philosophy of Mathematics
The seminar is the meeting point between different SPHERE teams that are interested in mathematics. It fosters dialogue between philosophers and historians of mathematics while focusing on textual sources. Speakers are encouraged to make their sources available to the participants.
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Paris
Conference, symposium - Ethnology, anthropology
Causes and Connections. On Divination and other Inquiries into Nature and Humans
International Colloquium in Honor of Professor Geoffrey E. R. Lloyd
Dans le cadre du PRI « Pratiquer le comparatisme : terrains, textes, artefacts », ce colloque international réunit ethnologues, philologues et philosophes autour des travaux de Geoffrey Lloyd et de leur apport à la pratique du comparatisme. En prenant appui notamment sur son ouvrage Cognitive Variations (2007), nous souhaitons interroger le problème de la coexistence de causalités autour d’un même événement, en mettant en perspective des pratiques rituelles saisies en contexte divinatoire et des savoirs prédictifs constitués en corpus de connaissances.
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Zhuhai
1st East and West Conference on Translation Studies
This conference aims to provide a biannual forum for East and West dialogue on Translation Studies. This inaugural edition will be dedicated to “Translation History Matters” and welcomes contributions addressing issues related (though not circumscribed) to translation history, historiography and metahistoriography. Centred on translation understood as an intentional phenomenon of human and mostly intercultural communication, this conference aims to focus on the role played by translation in Eastern and Western cultural practices and encounters through history as well as on the role of history to understand both translation and translation studies. By bringing together Eastern and Western views on a multitude of translation history matters, this conference aims to stress why, how and for which purposes translation history matters.
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Paris
Savoirs techniques et patrimoine culturel immatériel, XVIIe-XXIe siècle (2011-2012)
Formation, tradition, transmission
Série de conférences dans le cadre du séminaire « Savoirs techniques et patrimoine culturel immatériel (XVIe-XXIe siècle) en Chine : formation, tradition, transmission » de Caroline Bodolec, chargée de recherche CNRS, Frédéric Obringer, chargé de recherche CNRS, et Françoise Sabban, directrice d'études EHESS. -
Paris | Angoulême
Conference, symposium - Representation
The expertise programmes of paper in France and Japan
Knowledge, practice, preservation and conservation
Les savoir-faire du papier en France et au Japon, connaissance, usages et conservation : Projet d'étude comparée et de publication d'un glossaire des termes descriptifs des procédés de fabrication du papier en France et au Japon. Intervenants : des scientifiques, des papetiers et des restaurateurs du patrimoine. 2011 : inauguration du projet par une première rencontre internationale : pérennité des traditions au Japon, situation de la papeterie traditionnelle en France et au Japon, utilisation du papier japonais en restauration d'œuvres d'art occidental, l'affinage, le battage, les filigranes et la classification générale du papier (voir programme ci-joint).
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