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Berlin

Conference, symposium - Representation

Art History for Artists: Interactions Between Scholarly Discourse and Artistic Practice in the 19th Century

The development of art history as a discipline during the 19^th century has been variously associated with the politics of national identity, the needs of a growing bourgeois public in search of cultural capital, or of an expanding art market. However, the role of art training, and art practitioners themselves in the shaping of the discipline remains unexamined. Courses in art history had been systematically introduced in the curricula of art and architecture academies since the late 18^th century, and spaces of art education count among the first institutional homes of the discipline, well before the establishment of autonomous university chairs. This conference aims to explore the interactions and productive tensions between art practice and art scholarship in the 19^th century.

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24 nov 2011	08 déc 2011	12 jan 2012
26 jan 2012	09 fév 2012

Paris

Lecture series - Asia

Savoirs techniques et patrimoine culturel immatériel, XVIIe-XXIe siècle (2011-2012)

Formation, tradition, transmission

Série de conférences dans le cadre du séminaire « Savoirs techniques et patrimoine culturel immatériel (XVIe-XXIe siècle) en Chine : formation, tradition, transmission » de Caroline Bodolec, chargée de recherche CNRS, Frédéric Obringer, chargé de recherche CNRS, et Françoise Sabban, directrice d'études EHESS.

Paris | Angoulême

Conference, symposium - Representation

The expertise programmes of paper in France and Japan

Knowledge, practice, preservation and conservation

Les savoir-faire du papier en France et au Japon, connaissance, usages et conservation : Projet d'étude comparée et de publication d'un glossaire des termes descriptifs des procédés de fabrication du papier en France et au Japon. Intervenants : des scientifiques, des papetiers et des restaurateurs du patrimoine. 2011 : inauguration du projet par une première rencontre internationale : pérennité des traditions au Japon, situation de la papeterie traditionnelle en France et au Japon, utilisation du papier japonais en restauration d'œuvres d'art occidental, l'affinage, le battage, les filigranes et la classification générale du papier (voir programme ci-joint).

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3 Events