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Rennes
Mutations, Conversions and Representations
The chosen perspective for this one-day conference is an inter- and pluri-disciplinary one and it is therefore articulated around a variety of approaches such as cultural geography, cultural history, art history, media studies, urban studies, heritage studies, architecture, etc.
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Rennes
Art and the Environment in Britain 1700-today
Whether one thinks of environment as context, setting, climate change, green spaces or sounds, today’s epistemology invites us to rethink man’s relation to the external world to the extent that the “inside” and “outside” coalesce, nature and culture merge, man and animal are reconfigured. How have British artists responded to these shifting perceptions of the world around them, of this great swirling circle of life and non life in which they found – or imagined – themselves diversely positioned, for a long time at the centre, then in a more undefined place – at the margin even? How has art itself positioned itself in this newly defined environment?
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Call for papers - Representation
Le terme « paysage » fait l’objet de nombreux débats conceptuels. En effet, la perception du temps et de l’espace varie précisément selon les époques et les lieux, chacun se représentant et inventant un paysage nouveau (Westphal, La Géocritique, 2007). L’enjeu est de dépasser le clivage entre acteur et spectateur du paysage, pays et paysan, paysage et environnement et d’éviter d’abstraire le lien entre les paysages et leur territoire. Les paysages concernent autant le spectateur et son point de vue subjectif et parfois esthétique, que l’expérience concrète du promeneur.
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