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Paris
Artistic Activism in India (History, Practice, Paradigm and Circulation)
“Artivism” encompasses artistic actions, which tackle social and political issues, reviving agitational practises defined in resistance to the planetary ideological hegemony they refer to as neoliberalism. This resurgent awareness of the political nature of artistic creation questions consensual discourses on the neutrality of art and aesthetics, often confined in their "autonomy" and impervious to the disorders of the world. Within artistic activism a dialectic between two entities, traditionally perceived as being of a different nature, is played out: on the one hand the field of art (too often defined as autonomous, with no other functionality than its own) and on the other hand in the field of politics and social activities on the other hand (thought out as a praxis of the exercise of the power in an organized society). The central question posed by artistic activism could be stated in this way: How can we evaluate the capacity of art (visual arts, performing arts, literature, theatre, dance, video art, cinema, etc.) to function as social and political protest?
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Paris
Islam and Regional Cultures in Pakistan
CEIAS conference
With the hope of throwing new light on the transformations of Pakistani society, this one-day conference intends to move the focus away from two dominant discourses on Pakistan : that is, on the one hand, the security discourse of political and media circles that reduces Pakistan to a state on the fringe of failure, trying to cope with radical Islam and terrorism; and, on the other hand, Pakistan’s official nationalism, which rests on a unitary conception of the nation that disregards the cultural and religious diversity of the country, stressing instead Islam and Urdu as national unifiers while relegating regional cultures to folklore. This conference hopes to partly fill this gap by inviting participants to illustrate the complex, lived experience of Islam in Pakistan, the identity component of religious practices that do not fit in the dominant norm, and their inscription in local political and ethnic relations. Papers would ideally use first-hand observation and/or analyses of cultural productions to examine circumscribed case studies.
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Paris
Censorship, Emotions and Cultural Regulation in South Asia
This workshop aims at exploring issues of literary and artistic censorship in South Asia (India, Pakistan and Bangladesh) by focusing on the way anticipated "hurt" often justifies the policing and regulation of the artistic sphere (cinema, visual arts, literature). Our point of departure is, in the words of Arjun Appadurai, the observation that culture is today the field "where fantasies of purity, authenticity, borders and security can be enacted" and that the same censors patrol the boundaries of politics and aesthetics (Coetzee). In the Indian subcontinent "hurt feelings" are often reactivated or cultivated, staged and mass-mediatised to claim recognition and legitimacy in the public sphere, to require compensation or "redressal". Many artists, writers and academics point to a politics of ultra-sensitivity and a thriving "marketplace of outrage". Our objective in this workshop is to question the vocabulary, topicality and tangibility of "hurt" in the public sphere on these issues of artistic regulation in South Asia, and to understand what it means to say that words or images wound.
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Paris
South Asia, another name for the Indian Subcontinent, is a recent concept (only about six decades old), forged outside the region in the wake of the establishment of area studies by American universities. While it may be preferred to Indian subcontinent for its political neutrality, it is nonetheless a contested concept, both externally and internally. Whether in South Asia itself or in international institutions or research centres outside the region, there is no general consensus about the countries the concept encompasses: it primarily refers to India, Pakistan, Bangladesh, Sri Lanka, Nepal, Bhutan, the Maldives, as per the definition of the SAARC, which has however included Afghanistan lately (2005) among its members. Some would also include Burma (Myanmar) as it was a province of British India till 1937. Internally, the concept is contested on the political level but in a fairly paradoxical way: on the one hand, as a concept closely associated with India, it is in some contexts rejected by its neighbours; on the other hand, neighbouring countries (especially Nepal and Sri Lanka) have been instrumental in making the concept exist through the creation of journals, associations, and websites that mobilise the term. -
Paris
Representations and practices of citizenship in Southern Asia
Représentations et pratiques de la citoyenneté en Asie du Sud : programme de l’équipe, Centre d’études de l’Inde et de l’Asie du Sud (CNRS-EHESS), 190 avenue de France, 75013 Paris. Le Centre d'études de l'Inde et de l'Asie du Sud (CEIAS) est le plus grand laboratoire français de recherche en sciences sociales sur le sous-continent indien. Le CEIAS est une unité mixte de recherche (UMR 8564) de l'École des hautes études en sciences sociales (EHESS) et du Centre national de la recherche scientifique (CNRS).
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