Art et perception, Institut d'études avancées de Paris, 28 et 29 mai 2012. Colloque organisé par Johan Wagemans, chercheur à l'IEA de Paris et à l'université KU Leuven

Lieu : Maison Suger, 16-18 rue Suger, Paris 6

Programme 

Lundi 28 mai 2012

09:30-10:00: accueil et café

Matinée

• 10:00 – 11:00: Jan Koenderink (Delft, The Netherlands and LEP, Leuven, Belgium): “Adolf Hildebrand’s ‘wooden iron’: The scene, the artwork and the eye”
• 11:30-12:00: Johan Wagemans (LEP, Leuven, Belgium and IEA-Paris, France): “Pictorial relief from Picasso’s twisted line-drawings”
• 12:00-12:30: Claus-Christian Carbon (Bamberg, Germany and Pavia, Italy): “Mona Lisa’s many faces”

Après-midi

• 14:30-15:30: Robert Pepperell (Cardiff, U.K.): “Depicting visual perception in science and art”
• 16:00-16:30: Bilge Sayim (LPP, Paris, France): “Depiction of material properties in paintings”
• 16:30-17:00: Patrick Cavanagh (LPP, Paris, France): “Two-tone images: the last discovery in the art of 3D depiction”
• 17:00-17:30: Jérôme Pelletier (EHESS & Institut Jean-Nicod, Paris, France): “Recognition of emotional intensities in Chinese calligraphy by a non-Chinese speaking population ignorant of the art of calligraphy”

Mardi 29 mai 2012

09:30-10:00: accueil et café

Matinée

• 10:00 – 11:00: Baingio Pinna (Sassari, Sardegna, Italy): “Laws of coloration in vision, art and biology”
• 11:30-12:00: Sander Van de Cruys (LEP, Leuven, Belgium): “The pleasure of prediction error: Testing a predictive coding approach to visual art”
• 12:00-12:30: Claudia Muth (Bamberg, Germany): “The Aesthetic Aha. The pleasure of having insights into Gestalt and its relevance for the appreciation of modern art”

Après-midi

• 14:30-15:30: Jacques Ninio (LPS, ENS, Paris,  France): “Why must visual stimuli be ugly?”
• 16:00-16:30: M. Dorothee Augustin (LEP, Leuven, Belgium): “The temporal unfolding of masterworks: More on the microgenesis of art perception”
• 16:30-17:00: Zoï Kapoula (CNRS, Paris, France): “Neuroaesthetics: eye movement and body sway studies”