Imaginées à partir de 1833, inaugurées en 1837, les galeries historiques de Versailles voulues par Louis-Philippe ont été enrichies jusque sous la IV^e République. Démantelées à partir de 1892, date de la prise de fonction de Pierre de Nolhac comme conservateur du musée de Versailles, elles n’ont été que partiellement présentées au public durant le XX^e siècle. Constitutif du schéma directeur de l’Établissement public de Versailles, un grand chantier d’aménagement architectural et muséographique est prévu à partir de 2022. Il est précédé par un programme de recherche destiné à préparer et à orienter le projet muséographique du redéploiement des collections des galeries historiques.

Louis-Philippe’s History Galleries in Versailles, planned in 1833 and inaugurated in 1837, continued to be enriched up until the Fourth Republic. The collections contain 7,000 paintings (including 1,200 historical scenes) and 1,500 sculptures. Dismantled in 1892, when Pierre de Nolhac became curator of the Museum of the Palace of Versailles, only certain sections of the History Galleries were open to the public during the 20th century. A major architectural and museographic refurbishment is planned to start in 2022 as part of the master plan of the Établissement public de Versailles. It will be preceded by a research programme to prepare and orientate the museographic project to reorganise the collections of the History Galleries: this is the context of this symposium.

For its three-year research programme (2017-2019), the Centre de recherche du château de Versailles has launched a research axis on “The representation of history in the collections of the Museum of the Palace of Versailles” and wishes to publish articles related to this subject on the Bulletin du Centre de recherche du château de Versailles.

Argument

Louis-Philippe’s History Galleries in Versailles, planned in 1833 and inaugurated in 1837, continued to be enriched up until the Fourth Republic. The collections contain 7,000 paintings (including 1,200 historical scenes) and 1,500 sculptures.

Dismantled in 1892, when Pierre de Nolhac became curator of the Museum of the Palace of Versailles, only certain sections of the History Galleries were open to the public during the 20th century. A major architectural and museographic refurbishment is planned to start in 2022 as part of the master plan of the Établissement public de Versailles. It will be preceded by a research programme to prepare and orientate the museographic project to reorganise the collections of the History Galleries: this is the context of this symposium.

Research themes

Five themes will contribute to the ideas about ways in which these galleries can be made more accessible to the public. Indeed, in spite of its gaps, this collection offers strong evidence of a specific view of the history of France that the Museum of the Palace of Versailles should analyse and question today.

I. Prefigurations of the History Galleries of Versailles: representing the history of France]

• Choice and representation of the great men of the 18th century: what were the models for the History Galleries?
• Alexandre Lenoir and the Museum of French Monuments

II. A museum in a residence: presentation strategies

• Versailles, a predestined site
• Museographic stances
• Visiting the History Galleries, from Louis-Philippe to the present day

 III. Visions of history in France and in Europe

• Showcasing the great collections created in the 19th century: from major municipal programmes to history museums, reflecting French inspiration in Europe
  From the National Portrait Gallery to the Deutsches Historisches Museum : history museums in Europe

IV. Current developments in the historiography and iconography of the History Galleries of Versailles

• The view of the Middle Ages: what remains?
• The place of Louis XIV: the genius loci for today, just as it was in the era of Louis-Philippe
  And Napoleon’s place in all this!
• The portrait series in the 21st century
• History as an aid to national reconciliation

IV. Reinventing the History Galleries of Versailles in the 21st century

• A talk on the history of art through the representation of history
• On the fringes of military history: celebrating civil merit
• The hero, the genius and the saint: what is the place of these figures in the 21st century?
• History galleries and education: from school textbooks to the collective imagination
• The national gesture and the audiences of today

Submission guidelines and evaluation procedures

First, article proposals (abstracts of about 5 000 characters) should be addressed to Alexandre Maral in French or in English. These proposals will be reviewed by the scientific committee.

If the proposals are accepted by the scientific committee, the full articles will be examined both by the latter and by two members of the Centre de recherche du château de Versailles’s peer review committee (or by external scholars appointed by the scientific or peer review committee if necessary).

Article proposals must be submitted before 30 September 2018. Authors must send:

• Author(s)’s name and surname, institutional affiliation, email address;
• Title of the article;
• An article proposal of 5 000 characters specifying the subject and the issue of the article, the theoretical framework, methodology, sources and main bibliographical references used;
• An abbreviated curriculum vitae.
  Proposals can be submitted in the following languages: French, English, German, Italian, Spanish.

The final articles will be 40 000 characters maximum (bibliography and footnotes included) and must be submitted before early June 2019.

Authors should comply with the editorial guidelines of the Bulletin du Centre de recherche du château de Versailles (in French).

Steering Committee

Representatives of the founder members of the G.I.P. CRCV and experts:

• Laurent Avezou, professor of history at the Lycée Pierre-de-Fermat in Toulouse (preparatory class for the École des chartes);
• Philippe Boutry, Président of the Université Paris 1 Panthéon-Sorbonne;
• Chantal Grell, Professor at the Université de Versailles Saint-Quentin-en-Yvelines;
• Barthélemy Jobert, Président of the Université Paris-Sorbonne – Paris IV;
• Jean-Marie Le Gall, Professor at the Université Paris 1 Panthéon-Sorbonne;
• Jean-Michel Leniaud, Professor at the École nationale des chartes;
• Philippe Luez, General curator for Heritage, Director of the Musée national de Port-Royal-des-Champs;
• Gérard Sabatier, Professor Emeritus of Modern History at the Université Pierre Mendès-France – Grenoble II, President of the Scientific Committee of the Centre de recherche du château de Versailles;
• Thierry Sarmant, Head of the Department of Archives at the Historical Service of the château de Vincennes.

Conservateurs au château de Versailles:

• Lionel Arsac, Curator at the Department of Sculptures;
• Gwenola Firmin, Curator at the Paint department;
• Frédéric Lacaille, Chief Heritage curator at the Paint department;
• Béatrice Sarrazin, General curator for Heritage, responsible for the Paint department.

Centre de recherche du château de Versailles:

• Alexandre Maral, Director;
• Mathieu da Vinha, Scientific Director;
• Matilde Cassandro-Malphettes, Secretary General.