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• 20

  Apr

  2026

  Miscellaneous information - Information

  TEI 2: Encoding in XML-TEI, advanced level training

  La formation « TEI 2 : encoder en XML-TEI » s’adresse aux utilisateurs déjà familiers du langage XML-TEI et engagés dans un projet de recherche, d’édition ou de valorisation de corpus. Pendant deux jours, les formateurs proposeront plusieurs modules pratiques d’approfondissement des spécifications, de personnalisation de la TEI et de mise en œuvre pour des modélisations complexes de documents.

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• 07

  Apr

  2026

  Paris

  Study days - Representation

  Photographic interiors: Between Staging and Documentation

  A one day symposium on the roles and practices associated with photography and printed images within private interiors and domestic life, between staging and documentation

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• 30

  Apr

  2026

  Rennes

  Call for papers - History

  Temporalities of the Far Right

  Turning-Points and Perceptions of the Past in Germany, France and Western Europe since 1945

  The conference aims to examine the far right’s relationship with time from a Franco-German and European perspective. It is divided into two parts: the first explores possible periodizations for this political movement after 1945, and the second examines its ideological and discursive relationship with time.

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• 30

  Apr

  2026

  Call for papers - Representation

  Desktop Films: Forms, Uses, Circulations

  This conference stems from an interest in an emerging form of filmmaking, the desktop film or screen film, arising from the convergence of two related phenomena: the exponential acceleration in the circulation of moving images enabled by digitization and the development of Web 2.0, and the evolutions in audiovisual and media creation that incorporate digital aesthetics and practices into their modes of operation. Positioning ourselves within the field of post-media studies initiated by Lev Manovich in 2001, and more specifically within what is now referred to as the field of “post-cinema”, this conference seeks to foster a resolutely interdisciplinary reflection (Art Studies, Film and Audiovisual Studies, Information and Communication Sciences, Cognitive Sciences, Anthropology, Narratology, etc.) structured around the following axes: semiotic and multimodal approaches; narrative and discursive approaches; actors and Networks; archaeology of the Desktop Film.

   

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• 30

  May

  2026

  Palma

  Call for papers - History

  Manuel de Falla on the Island: Art, Culture and Modernity in 1930s Mallorca

  On the occasion of the Manuel de Falla Year (1876–1946), marking the 150^th anniversary of his birth, the Department of Musicology at the Conservatori Superior de Música de les Illes Balears and the Department of Historical Sciences and Theory of the Arts at the Universitat de les Illes Balears are organising this International Conference. Taking Falla’s stay in Mallorca as its point of departure, the conference aims to encourage reflection on issues related to the arts and European culture in the context of the 1930s.

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• 01

  Apr

  2026

  31 Mar 2026

  Paris

  Conference, symposium - Representation

  Silence as Material

  Studies on the Most Subtle Sounds

  Les pratiques étudiées dans le cadre de ce colloque à la fois précèdent et excèdent le silence cagien, aussi bien dans la tradition musicale occidentale qu’extra-occidentale, dans la perspective de forger une philosophie des sons subtiles et une histoire non conventionnelle des musiques silencieuses.

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• 30

  Apr

  2026

  Call for papers - Thought

  Thinking from the Dual – Ontology, Theology and the Humanities through the Lens of the “Muthannā”

  This international conference explores the philosophical and theological implications of the Arabic grammatical dual (al-muthannā). Situated between the paradigms of unity and multiplicity that have long structured philosophical thought, the dual offers a distinctive relational structure in which two terms are held together without fusion or hierarchy. Taking this linguistic form as a conceptual starting point, the conference investigates the possibility of thinking relation itself as originary. Particular attention will be given to the concept of ʿahd (covenant, pact, commitment) as a relational event in Islamic theology and beyond. Bringing together philosophers, theologians, and scholars from the humanities and social sciences, the conference seeks to open a field of inquiry devoted to the ontological, theological, and anthropological significance of the dual in contemporary thought.

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• 12

  Apr

  2026

  Venice

  Summer School - Representation

  La fabrique de l’histoire dans les arts à Venise : récits, propagande et contre-récits

  XXIXe séminaire d’histoire de l’art vénitien

  Qui écrit, dans les arts, l’histoire, selon quelles sélections et omissions, pour qui et à quelle fin ? Comment la production artistique dans l’espace public a-t-elle célébré les grands hommes et les femmes illustres, les génies artistiques, ou bien parfois effacé volontairement les mémoires ? Comment enfin s’élaborent dans les arts les contre-récits à Venise ?

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• 01

  Jun

  2026

  Amiens

  Call for papers - Europe

  “In medias res”. Intermediaries of Domination (Northern France, the British Isles, 9th–13th centuries)

  Following a first conference held at Cerisy in 2024 on social domination in Normandy (11th–15th centuries), this new conference aims to analyse how human intermediaries contribute to maintaining various forms of domination – whether seigniorial, princely, ecclesiastical, or urban. Situated between dependence and delegated authority, they play a central role in the concrete exercise of power, but also in the production and legitimation of social order. Through their actions and behaviours, these intermediaries shape or impose this state of affairs and help populations to agree to this domination.

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• 30

  Apr

  2026

  Call for papers - History

  Fighting Harmfulness

  Work, Health, and Environment between Knowledge and Power (19th–21st Centuries)

  This conference seeks to be a multidisciplinary forum (history, sociology, geography, medicine, anthropology, etc.) devoted to analysing the knowledge, practices, and repertoires of action arising from these mobilisations. It welcomes diverse historical and geographical contexts, especially beyond countries of early industrialisation, to document and map past and present struggles against harmfulness.

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• 30

  Apr

  2026

  Paris

  Call for papers - History

  Ce que le groupe fait à la photographie : groupements, réseaux, collectifs

  How groups shape photography: groups, networks, collectives

  The practice of photography, which arises from the encounter between an eye and a camera, is often perceived as an individual exercise. This monocular vision, indebted to the myth of the photographer’s genius, is exemplified by figures such as Henri Cartier-Bresson, known as “the eye of the century.” Beyond this mythification—often instrumental in the construction of Art History—, photography must now be reconsidered as a set of relational practices, shaped by dynamics of collaboration, exchange, and circulation of images, techniques, and knowledge. The aim of this conference is therefore to reassess both official and informal collective structures that have made photography possible.

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• 18 Mar 2026

  Nanterre

  Study days - Early modern

  Interpréter les crimes et les expériences de guerre : le TPIY et la poésie tchéchène

  Interpreting War crimes and expériences: the International Criminal Tribunal for the Former Yugoslavia and poetry from Chechnya

  Comment interpréter et traduire les crimes et les expériences de guerre ? Cette rencontre du projet PROFIL (« Faire à plusieurs 2024 ») propose d’explorer ces questions à partir du Tribunal pénal international pour l’ex-Yougoslavie et de la poésie tchétchène, à travers une présentation d’ouvrage, une projection et des échanges.

   

   

   

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• 29

  Mar

  2026

  Brest

  Call for papers - Modern

  Artificial Intelligence in the service of film archive collections

  On the occasion of the 36th INEDITS meetings to be held in Brest from 24 to 27 November 2026, the Cinémathèque de Bretagne is organising a round table on the theme of Artificial Intelligence in the service of film archive collections. 

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• 15

  Apr

  2026

  Verona

  Call for papers - Modern

  Our brother Dante

  Dante contemporaneo nella World Literature

  Nell’ambito del progetto Dante World Writer ? (université de Lorraine, in collaborazione con le università di Strasburgo, Bologna e Verona) la giornata di studi Our brother Dante (Verona, 28 ottobre 2026) si interesserà al rimodellamento dell’immagine di Dante all’interno delle letterature mondiali (lontano dall’Italia), che compensa la distanza geografica con un avvicinamento se non un’annessione storica. Il Dante ‘fratello’ è una variante del Dante pop : implica lo sguardo destoricizzato del postmoderno, ma si situa all’interno del campo letterario e contribuisce a ridefinirlo, poiché solo un ‘certo tipo’ di letteratura si presta ad accogliere questo Dante ‘aggiornato’.

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• 25

  May

  2026

  Susa

  Summer School - History

  Economic Regulation and Informal Economies in the Medieval and Early Modern Periods

  La 14^e école d’été d’histoire économique se propose d’aborder le thème fondamental de la régulation qui englobe pour les économistes l’ensemble des règles explicites ou implicites qui organisent et encadrent la production, l’échange et la consommation. La notion englobe ainsi la question de la fixation et de la formation des prix, les contrôles de qualité et de quantité ainsi que la mesure de la valeur. C’est par conséquent une notion qui englobe l’ensemble de la sphère économique. Son existence entraîne, par antithèse, l’existence d’une sphère informelle, qui échappe ou tente d’échapper à toute forme d’organisation ou de contrôle.

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• 13 Mar 2026

  Besançon

  Call for papers - Language

  Sharing Strangeness

  The study day Sharing Strangeness seeks to explore imaginary languages created within works of fiction (film, literature, television series, video games, etc.). Still relatively under-researched, these languages constitute linguistic, aesthetic, and cultural objects in their own right. Used to build fictional worlds, represent otherness, support narrative development, or foster audience engagement, they deserve closer scholarly attention. The event will welcome a wide range of contributions, from linguistic and semiotic analyses to reflections on the creation, reception, and social use of these languages.

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• 30

  Mar

  2026

  Madrid

  Call for papers - Thought

  Textual Bodies: Incarnation, Corporeality, and Affective Materialities through Literature

  6th Meeting of Young Researchers of the SELGyC

  In the contemporary context, marked by technological, cultural, and epistemological transformations that reconfigure our relationship with sensory experience, the body, and materiality, literature continues to function as a privileged space for critical reflection. In the face of discourses that tend to split, mediate, or dematerialize human experience, literary texts insist on the centrality of the body as a site of vulnerability, affect, and meaning-making.

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• 30

  Apr

  2026

  Liège

  Call for papers - Europe

  Senecta ista iuuenilis est, senecta ista uiridis est

  Crossed perspectives between youth and old age in sources of Greek and Latin languages

  At a time when debates are intensifying on the reversal of the age curve in Europe and, more broadly, in the Western world, the notions of “youth” and “old age”, considered as social categories, strongly resurface. However, these categories—for which consensual definitions may be lacking—are far from neutral.

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• 10

  Apr

  2026

  Paris | Grenoble

  Call for papers - Representation

  Reflecting on the richness of poor cinemas around the world in the 21st century

  This symposium aims to put into global perspective the aesthetic and economic issues as well as the analysis of the creative and distribution processes that were at the heart of the study days devoted to low-budget cinema in France, which took place in 2024. Without romanticising the lack of resources, how can we define the theoretical, practical, political, economic and aesthetic contours of these ‘poor cinemas’ in a contemporary international context? What specific filmmaking processes ensure its existence? What original film forms emerge from it? What parallel distribution channels do these films require to be created and defended? 

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• 01

  Apr

  2026

  Call for papers - Modern

  Orsay, Forty Years On

  L’année 2026 marque le quarantième anniversaire du musée d’Orsay, ouvert au public le 9 décembre 1986. Dans le cadre des célébrations associées à cette date événement, l’établissement public du musée d’Orsay et du musée de l’Orangerie – Valéry Giscard d’Estaing organise, les 2 et 3 décembre 2026, un colloque scientifique international qui rassemblera à Paris des spécialistes de disciplines et de provenances géographiques variées. Il ambitionne de remettre en perspective l’histoire du musée d’Orsay et son rôle clé dans la perception et la mise en récit des développements artistiques de la seconde moitié du XIX^e et du début du XX^e siècle.

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