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Artistic Censorship and the Creation of Israel (1948-1967)
This article discusses the artistic censorship of German and Germany in Israel between 1948-1967. During these years, with various fluctuations, the Israeli Film and Theatre Review Board, the agency in charge of artistic censorship, actively censored films, plays and concerts in German. Relying on previously undiscussed archival data, the article tracks the contours of this censorship, from its adoption upon the establishment of the state, to its eventual demise after full diplomatic relations were established between Israel and West Germany.
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Memory, perception and politics of empire today
The study of empires is a dynamic field; we are constantly revising our knowledge of empires, inspired by newly discovered sources as well as new approaches. The context of historical writing itself significantly influences our perception of imperial history. Post-imperial realities also force us to rethink the empire. This special issue of Diacronie. Studi di storia contemporanea invites contributions that present perspectives on how we remember and study the empires that collapsed at the end of the First World War.
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Tours
Un passé pour quel avenir ? L’histoire des universités : quelles perspectives ?
Quelles perspectives l’histoire des universités ouvre-t-elle au futur des universités ? Quelles perspectives de recherches nouvelles pour l’histoire des universités ? À l'occasion du quarantième anniversaire de la création de l'université de Tours, et dans la conjoncture des réformes actuelles, cette rencontre locale de dimension internationale n'entend surtout pas commémorer, mais réfléchir et confronter : faire de l'histoire. Après, on verra. Peut-être moins subir ?
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