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• 15 sep 2016

  Kalamazoo

  Convocatoria de ponencias - Edad Media

  Walruses, Whales and Narwhals

  Maritime Ivories in Western Europe, 900-1500

  Dans l'histoire de la sculpture sur ivoire, les mammifères marins ont souvent été éclipsés par l'éléphant, vu comme un ivoire plus noble dont le morse ou la baleine ne seraient que des succédanés. Mais cette vision historiographique n'est pas sans faiblesses. Non seulement la chasse au morse joua un rôle significatif dans l'expansion européenne vers l'Ouest, mais le commerce de ces ivoires s'étendit jusqu'au monde islamique voire à l'Extrême-Orient. Cette session du 52^e International Congress on Medieval Studies, sponsorisée par le National Museum of Scotland, vise à étudier les ivoires maritimes sous tous leurs aspects, collecte du matériau brut, commerce, ateliers et valeur symbolique.

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• 01 nov 2016

  Princeton

  Beca, premio y empleo - Sociología

  The Culture and Politics of Resentment

  Fung Global Fellow Program - Princeton University

  Each year, the Fung Global Fellows Program selects six international scholars to be in residence at Princeton for one academic year and to engage in research and discussion around a common theme. During the academic year 2017/18, the program theme will be “The Culture and Politics of Resentment.” Resentment is a powerful emotion for expressing culture and politics. Experiences and memories of humiliation, oppression, and marginalization have stimulated emotions of resentment, and produced compelling demands for political inclusion and justice around the world. Alternatively, rage against what is seen as the “tyranny of the minority,” inequality, the corruption and aloofness of elites, the “foreign,” and the illegitimate have generated powerful populist upsurges against the perceived enemies of a homogeneous body of “the people.”

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• 30 sep 2016

  Baltimore

  Convocatoria de ponencias - Pensamiento

  Utopia in a Post-secular Society: at the Cross-sections of Literature and Philosophy

  48th Annual Convention, Northeast Modern Language Association (NeMLA)

  An element that seems to characterize the 20^th century reflection on utopia is its secular nature. Through a re-thinking of the place and roles of religion in society, the post-secular turn we are witnessing in recent theory (Habermas, Taylor, Asad, Mahmood) may provide a critical point of departure for questioning this specific aspect of utopian tradition. In this panel, we invite papers that reflect on the relationship between utopia and religion, as it is worked out in 20^th century literature and philosophy: How does the place of the utopian tradition change in the context of the “return of the religion” in a post-secular society?

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• 15 sep 2016

  Kalamazoo

  Convocatoria de ponencias - Representaciones

  Body and Soul in Medieval Visual Culture

  52nd International Congress on Medieval Studies

  This session seeks papers that explore the range of ways in which medieval artists responded to the anthropological duality of body and soul in the visual arts of the Byzantine and Western medieval worlds.

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• 15 sep 2016

  Nueva York

  Beca, premio y empleo - Américas

  Terra Foundation for American art international publication grant

  The College Art Association (CAA) and Terra Foundation for American Art invite applications for the 2017 Terra Foundation for American art international publication grant. The grant provides financial support for the publication of book-length scholarly manuscripts on the history of American art from circa 1500 to 1980 in the current-day geographic United States.

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• 29 avr 2016

  30 avr 2016

  Cambridge

  Jornada de estudio - Historia

  The Circle of Money

  Practices, Politics, and Policy in Premodern Societies (6th-17th Centuries)

  Money is at once elusive and concrete. As a mode of economic exchange it exists within a relatively fixed playing field, with clearly delineated boundaries of benefits and costs. However, poor handling, bad advice, or even a bad turn at a game of chance can swallow money up in one fell swoop. The workshop will investigate this wide array of pre-capitalist, western and non-western contexts from the English Isles, Flanders, France, Germany, Italy, and China between the Middle Ages and Early Modern times.

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• 22 avr 2016

  23 avr 2016

  Williamsburg

  Seminario - Historia

  Did the Plague Impact Sub-Saharan Africa before 1899?

  Genetics evidence published in recent years suggests that certain strains of plague (Yersinia pestis) in sub-Saharan Africa may be centuries old. This raises questions whether there is correlation with the suspected depopulations in certain areas of sub-Saharan Africa in the late medieval period. This symposium, for the first time ever, brings together historians, geneticists, archeologists, art historians, anthropologists, and linguists to examine these questions. 

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• 15 fév 2016

  San Antonio

  Convocatoria de ponencias - Etnología, antropología

  Encoding Data for Digital Collaboration (ASOR 2016)

  Data encoding entails an analog-to-digital conversion in which the characteristics of an object, text, or archaeological site can be represented in a specialized format for computer handling. Once encoded, data can be stored, sorted, and analyzed through a variety of computer-based techniques ranging from specialized data-mining algorithms to user-friendly mobile apps. Especially when encoded data is open-source, researchers around the world can collaborate on the collection, encoding, and analysis of data.

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• 01 mar 2016

  Cincinnati

  Convocatoria de ponencias - Época contemporánea

  World Cinema and Television in French

  This interdisciplinary conference will examine cinematic and televisual cultural productions that fall under a broad "French-language" umbrella in order to map out significant trends as well as new directions in the study of global French-language cinema and television and its points of contact with other languages and industries. It also aims to explore the opportunities and limitations of adopting labels such as cinéma-monde, transnational, Francophone, and World Cinema, as critical frameworks.

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