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  • Kiel

    Chamada de trabalhos - História

    Between variability and singularity: crossing theoretical, qualitative and computer-based approaches to types and typologies in archaeology

    Call for paper EAA 2021

    This session is based on the ambition to revisit the "type" as an analytical and theoretical concept inorder to re-activate type-sensitive archaeological research or to develop genuine alternatives. We invite scholars from varying backgrounds to interrogate our apprehension of types, and to re-consider the basic explanatory value of types andtypologies, especially so vis-à-vis computer-based methods, emerging theoretical frameworks and, more generally, the consequences of such approaches and research frameworks for our understanding of types and typological thinking as core concepts ofarchaeological practice.

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  • Kiel

    Chamada de trabalhos - Estudos das Ciências

    History of measuring and calculations in archaeology

    In archaeology, quantitative approaches have a long tradition and belong to the very core of the discipline. However, the history of quantitative archaeological reasoning might be not as straight forward as suggested by the disciplinary history commonlys hared among archaeologists. Taken into account different social interests and traditions we doubt the narrative of linear methodological and technical progress, especially considering to a certain extent alternative developments of quantitative approaches inblocks of countries somewhat separated by language barriers. Different communities assign different roles and functions to quantitative procedures applied in archaeology. This session aims to explore the multitude of factors that determine the development ofquantitative archaeology.

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  • Oldemburgo

    Chamada de trabalhos - Representações

    Performing Music History

    Music history is a matter of research, it is a matter of novels, films, comics or computer games. Also: Music history is subject matter to music theater. Performances of music history lie at the center of this conference: Be it André-Ernest-Modeste Grétry’s opera prologue “Les trois ages de l’opéra”, Hans Pfitzner’s opera “Palestrina” or Franz Wittenbrink’s revue “Die Comedian Harmonists”, Heinrich Berté’s Schubert-operetta “Das Dreimäderlhaus”, Randy Johnson’s musical “A night with Janis Joplin”, or Mauricio Kagel’s Liederoper “Aus Deutschland” – historical musicians, artistic agency and musical artifacts have been negotiated in music theater for centuries. Music theater deals with a broad spectrum of music history, spanning from the medieval troubadours to the present creations of Pop, Rock, Jazz and New Music.

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