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• 15 aoû 2016

  Saint Petersburg

  Call for papers - History

  Third annual international conference dedicated to the 170th anniversary of the birth of Carl Fabergé

  The Fabergé Museum in Saint Petersburg owns the world's largest collection of works by Carl Fabergé, including nine of the famous imperial easter eggs, and aims to become the main international platform for the study of the art and life of the famous jeweler. In this year marking the 170^th anniversary of Carl Fabergé, the museum dedicated its annual academic conference to Carl Fabergé, his firm's activities in Russia and abroad, its place within Russian culture as well as to Fabergé's influence on modern and contemporary jeweler’s art. 

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• 29 sep 2016

  30 sep 2016

  London

  Conference, symposium - History

  The Allied Occupation of Germany Revisited

  New Research on the Western Zones of Occupation, 1945-1949

  The Allied occupation of Western Germany after the Second World War has recently seen a revival of interest among historians. This two-day international conference will showcase new research from scholars based across the globe and provide a forum for the presentation of innovative approaches to the history of the three western zones of occupation. It also aims to stimulate dialogue between historians of the different zones of occupation and so bring together hitherto almost entirely segregated historiographies.

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• 07 jui 2016

  08 jui 2016

  09 jui 2016

  Bogotá

  Conference, symposium - History

  Third international federation for public history (IFPH-FIHP) conference

  This is the final program of the third international public history conference organised by the International Federation for Public History (IFPH) together with the Universidad de los Andes-Bogotá /Colombia.

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• 07 jui 2016

  08 jui 2016

  09 jui 2016

  Berlin

  Conference, symposium - Representation

  Art History for Artists: Interactions Between Scholarly Discourse and Artistic Practice in the 19th Century

  The development of art history as a discipline during the 19^th century has been variously associated with the politics of national identity, the needs of a growing bourgeois public in search of cultural capital, or of an expanding art market. However, the role of art training, and art practitioners themselves in the shaping of the discipline remains unexamined. Courses in art history had been systematically introduced in the curricula of art and architecture academies since the late 18^th century, and spaces of art education count among the first institutional homes of the discipline, well before the establishment of autonomous university chairs. This conference aims to explore the interactions and productive tensions between art practice and art scholarship in the 19^th century. 

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• 15 sep 2016

  New York

  Scholarship, prize and job offer - America

  Terra Foundation for American art international publication grant

  The College Art Association (CAA) and Terra Foundation for American Art invite applications for the 2017 Terra Foundation for American art international publication grant. The grant provides financial support for the publication of book-length scholarly manuscripts on the history of American art from circa 1500 to 1980 in the current-day geographic United States.

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• 15 sep 2016

  Brussels

  Call for papers - Representation

  Flandes by substitution

  Copies of Flemish masters in the Hispanic world (1500-1700)

  On 9 and 10 February 2017 an international conference will be held on the copies of paintings of Flemish masters during the sixteenth and the seventeenth centuries related to the Hispanic world. The event will take place at the Royal Institute for Cultural Heritage (KIK-IRPA) in Brussels and is organized in collaboration with the Spanish National Research Project COPIMONARCH. La copia pictórica en la Monarquía Hispánica, siglos XVI-XVIII (I+D HAR2014-52061-P) from the Universidad de Granada.

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• 01 déc 2016

  Call for papers - Representation

  Music, Cultural Heritage And Law

  Special Issue

  Music is a space of possibilities, a realm of cross-cultural events where interpretation is deeply rooted in history and societal evolution. The main complexity is to analyze the coded meaning and view how the same signs, notions and concepts are appropriated, translated, rehistorized and read anew in songs, be they pop songs or national anthems.

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• 30 jui 2016

  London

  Call for papers - America

  Decolonizing Americas

  Radical Americas Symposium 2016

  The theme of this year’s Radical Americas symposium is “Decolonizing Americas”, acknowledging the long arc of struggle for freedom since the period of European colonization of the Western Hemisphere in the 15t^h century. Our collaborative effort will be to consider how histories within the US, Latin America, and the Caribbean converge and depart in relation to the experience of anti-colonial and decolonizing social movements, many of which continue today. We will also consider the ways that cultural efforts, collectives, art, and intellectual projects shape radical imaginaries of freedom.

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• 30 jui 2016

  01 jui 2016

  02 jui 2016

  Paris

  Conference, symposium - Middle Ages

  Words

  Medieval Textuality and its material display

  The International Medieval Society organizes its 13^th Annual Symposium in Paris, on the theme of Words in the Middle Ages. Between the increasing use of paperless media forms and the rise in the number of digital collections, medievalists are seeking to adapt to these new means of producing knowledge about the Middle Ages. At the same time, scholars in this field are also trying to outline the methodological and historical issues that affect the study of words, which now simultaneously exist in the form of primary sources, codices, rolls, charters and inscriptions, digitally reproduced images, and the statistical and lexicographical data made possible by storage platforms and analytical tools.

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• 09 jui 2016

  10 jui 2016

  11 jui 2016

  Paris

  Conference, symposium - Political studies

  The Left and nationalism in Europe

  The tragic attacks in Paris on 7 January and 13 November 2015 have engendered vivid debates about national identity and national culture in France, and accelerated the promotion of patriotism by the socialist government. At the European level, whereas the death of nations has been predicted along with the triumph of globalisation, nations and nationalism make a spectacular come back in public debates, and put most European left-wing parties in an embarrassing position.

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• 03 jui 2016

  Brussels

  Scholarship, prize and job offer - Urban studies

  PhD fellowship for a research project on “Reinventions of modernist rural landscapes”

  Focus: Rural planning in Morocco – 20th century

  MODSCAPES deals with rural landscapes produced by large-scale agricultural development and colonization schemes planned in the 20th century throughout Europe and beyond. Conceived in different political and ideological contexts, such schemes were pivotal to nation-building and state-building policies, and to the modernization of the countryside. They provided a testing ground for the ideas and tools of environmental and social scientists, architects, engineers, planners, landscape architects and artists, which converged around a shared challenge. 

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• 03 jui 2016

  04 jui 2016

  Ghent

  Conference, symposium - Representation

  Tracing types

  Comparative analyses of nineteenth-century sketches

  A new wave of scholarship has emerged in recent years, which examines nineteenth-century sketches (sometimes referred to as “panoramic literature”) from a transnational perspective. The present international conference seeks to continue this comparative reflection by placing the spotlight on the comparative analysis of texts and images of specific types and by tracing how these representations vary across sketches from different places, media and editorial contexts.

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• 19 jui 2016

  Bologna

  Call for papers - History

  Actors and Vehicles of Architectural Criticism

  “Mapping Architectural Criticism” Second International Workshop Bologna

  This call for papers is for the second of three international workshops planned by the Mapping.Crit.Arch Project to foster scholarship on the history of architectural criticism and facilitate exchanges between scholars active in this field of research. Conceived as milestones of the research project, these workshops intend to go beyond somewhat widespread interpretations that invoke either the specificity of architectural criticism or its partial overlapping with other forms of writing. The workshops also want to challenge simplistic views that suggest the crisis of architectural criticism if not its entire demise. The second workshop will focus on the actors and “vehicles” of architectural criticism. 

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• 30 mai 2016

  Trento

  Call for papers - Modern

  Contemporary art as mediation of ecological crisis

  6th STS (Science and Technology Studies) Italia Conference

  In this session of the 6^th STS Italia Conference on Sociotechnical Environments, we will consider how contemporary art addresses new questions to environmental issues; how it questions our relation with nature and technique; and how artistic creation may indicate new kinds of answers to contemporary ecological issues. This call is open to various disciplinary fields: contribution proposals could aim to describe kinds of knowledge that contemporary art contribute to produce in the field of ecology, as to trace a history of the dialogue between environmental issues and artistic creations, and, more generally, on case studies questioning the notions of art, technique and environmental issues.

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• 15 jui 2016

  Madrid

  Call for papers - Middle Ages

  In Se@arch of Wisdom: Knowledge spaces and networks across the Mediterranean sea

  This conference's aim is to deepen into the various insights of the construction of spaces and the production of works of art linked to knowledge in the Middle Ages, throughout different geographical, cultural, and social realms within the Mediterranean area.

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• 30 jui 2016

  Lisbon

  Call for papers - History

  Lost and Transformed Cities: a digital perspective

  The city is by definition a living entity. It translates itself into a collectiveness of individuals who share and act on a material, social and cultural setting. Its history is one of dreams, achievements and loss. As such, it also bears a history of identity. To know the history of cities is to understand our own place in the contemporaneity. The past is always seen through the eyes of the present and can only be understood as such. On the occasion of the 261^st anniversary of the 1755 earthquake in Lisbon, we invite scholars and experts in the fields of heritage studies, digital humanities, history, history of art and information technology to share and debate their experience and knowledge on digital  heritage.

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• 09 sep 2016

  Brno

  Call for papers - Representation

  Orient oder Rom?

  Prehistory, history and reception of a historiographical myth (1880Ð1930)

  Today the question “Orient oder Rom?” is no longer a topical issue in medieval art history, although a persuasive answer has never been formulated. One of the reasons for this oblivion deals with the controversial figure of Josef Strzygowski, who in 1901 published about the question his pivotal volume, nowadays discredited for its racial and proto-nazi judgement.However, the question “Orient oder Rom?” concerns not only with Josef Strzygowski: the prodromes of this critical concepts goes back to the nineteenth century, when the Russian, Austro-Hungarian and Ottoman empires fought to control territories. The conference aims to distance from the sole Strzygowski’s perspective and to comprehend and rewrite the story of a pivotal concept for both art historiography and cultural identity. 

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• 19 mai 2016

  20 mai 2016

  Conference, symposium - History

  Rethinking pictures

  A transatlantic dialogue

  On the occasion of the launch of Picturing, the first volume of the Terra Foundation Essays, a new publication series exploring themes of critical importance to the history of arts and visual culture of the United States, the Deutsches Forum für Kunstgeschichte, Paris, and the Terra Foundation for American Art are jointly organizing a conference to further the transatlantic dialogue about what pictures are and what they do. This conference invites speakers to reflect on the differences and convergences between the intellectual traditions of visual studies and Bildwissenschaft. Are there ways to think about pictures anew by bringing these models more closely together?  Does the move away from visuality towards the material offer possibilities for overcoming early differences between these two approaches?

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• 30 jui 2016

  Prague

  Call for papers - Thought

  The Human-Animal Line. Interdisciplinary Approaches

  On the premise that the boundaries between the “human self” and the “animal other” need constantly interrogating and analysing, we are convening an international conference with a view to widening the debate on this pressing question in Central Europe. The conference will be an opportunity both to critically reassess the results of the research already carried out in the area of English and French Animal Studies in its relations with contiguous fields, and to initiate new paths of research and analyse new sources of reference.

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• 15 jui 2016

  Bremen

  Call for papers - Modern

  Intersections of Art, Science, and Technology in Soviet Film and Culture

  By maintaining the tension between artists’ imaginative approaches to technology in the Soviet Union (Meyerhold’s Biomechanics), film directors’ use of science such as physiology (Eisenstein’s Expressive Movement), and scientists’ own theorization of art history (Lev Vygotsky’s The Psychology of Art), this workshop aims at unpacking the historical and political forces behind Soviet film theory, film practice, and art history in relation to science and technology. While examining the juncture between art, science, and technology in post-Revolutionary Russia, with a focus on the avant-garde period until the death of Joseph Stalin, cinema is thus considered as a device beyond its medium of film (Francois Albera, Maria Tortajada: Cinema Beyond Film) and the medium-specificity of the arts is called into question.

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