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La Rochelle
Chamada de trabalhos - Américas
Women and popular cultures in the anglophone worlds: 1945-2015
This interdisciplinary conference addresses the issue of how, through popular culture and cultural industries, women have been involved in social, cultural, and economic sectors they were previously barred from and what means and channels they have used to invest and invent specific places, spaces, and cultural milieu from the middle of the 20thcentury to the present time.
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Londres
Chamada de trabalhos - História
Cultures of Conservatism in the United States and Western Europe between the 1970's and 1990's
The conference will examine the cultural history of conservative ideas and movements in Western Europe and the United States between the 1970s and the 1990s. Focusing on cultures of conservatism, the conference will rethink the general contours of conservatism. It will pay close attention to the intersection of culture, politics and economics, in order to broaden our understanding of the processes of change that have unfolded since the 1970s.
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Chamada de trabalhos - Américas
As mulheres e a militância política contra as ditaduras da América latina
“Orda” journal
Esse dossiê tem como principal objetivo reunir os trabalhos de pesquisadores de diferentes países, de diferentes áreas do conhecimento e de diversas abordagens teóricas e metodológicas para fomentar a discussão sobre as questões relativas à participação política feminina durante as ditaduras da América do Sul. Os trabalhos deverão abranger a temática de mulheres e processos de militância, considerando um conceito de militância que possa abarcar várias atuações de categorias sociais de militância feminina.
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São Petersburgo
Chamada de trabalhos - História
The Fabergé Museum in Saint Petersburg owns the world's largest collection of works by Carl Fabergé, including nine of the famous imperial easter eggs, and aims to become the main international platform for the study of the art and life of the famous jeweler. In this year marking the 170th anniversary of Carl Fabergé, the museum dedicated its annual academic conference to Carl Fabergé, his firm's activities in Russia and abroad, its place within Russian culture as well as to Fabergé's influence on modern and contemporary jeweler’s art.
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Berlim
The development of art history as a discipline during the 19th century has been variously associated with the politics of national identity, the needs of a growing bourgeois public in search of cultural capital, or of an expanding art market. However, the role of art training, and art practitioners themselves in the shaping of the discipline remains unexamined. Courses in art history had been systematically introduced in the curricula of art and architecture academies since the late 18th century, and spaces of art education count among the first institutional homes of the discipline, well before the establishment of autonomous university chairs. This conference aims to explore the interactions and productive tensions between art practice and art scholarship in the 19th century.
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Nova Iorque
Bolsa de estudo, prémios e ofertas de emprego - Américas
Terra Foundation for American art international publication grant
The College Art Association (CAA) and Terra Foundation for American Art invite applications for the 2017 Terra Foundation for American art international publication grant. The grant provides financial support for the publication of book-length scholarly manuscripts on the history of American art from circa 1500 to 1980 in the current-day geographic United States.
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Londres
Chamada de trabalhos - Américas
Radical Americas Symposium 2016
The theme of this year’s Radical Americas symposium is “Decolonizing Americas”, acknowledging the long arc of struggle for freedom since the period of European colonization of the Western Hemisphere in the 15th century. Our collaborative effort will be to consider how histories within the US, Latin America, and the Caribbean converge and depart in relation to the experience of anti-colonial and decolonizing social movements, many of which continue today. We will also consider the ways that cultural efforts, collectives, art, and intellectual projects shape radical imaginaries of freedom.
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Tours
Invisible pesticides, invisible workers, invisible hazards
International Conference on pesticides and occupational health issues in agriculture
The aim of the international conference Invisible pesticides, invisible workers, invisible hazards is to gather researchers in humanities and social sciences from various background in order to foster collective discussions on the links between social context, methodological approaches and theoretical frameworks when dealing with occupational health issues related to pesticides exposure in agriculture.
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A transatlantic dialogue
On the occasion of the launch of Picturing, the first volume of the Terra Foundation Essays, a new publication series exploring themes of critical importance to the history of arts and visual culture of the United States, the Deutsches Forum für Kunstgeschichte, Paris, and the Terra Foundation for American Art are jointly organizing a conference to further the transatlantic dialogue about what pictures are and what they do. This conference invites speakers to reflect on the differences and convergences between the intellectual traditions of visual studies and Bildwissenschaft. Are there ways to think about pictures anew by bringing these models more closely together? Does the move away from visuality towards the material offer possibilities for overcoming early differences between these two approaches?
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Rio de Janeiro
Chamada de trabalhos - História
Circulation and Scientific Institutions
The Americas, Western Europe, South Asia (1750s-1914)
While historians should take into account the movements in space that constantly transform sciences, they should not lose sight of the specific locations dedicated to the daily work of scientists. In scientific facilities (museums, laboratories, hospitals, etc.), modern scientists use their research instruments, meet with members of their networks, teach, and interact with various actors from outside of their scientific community. Participants in this symposium will seek how to write the history of this dynamic between circulation and institutions of science.
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Paris
Ciclo de conferências - Américas
Capitalism, state and economic development in comparative perspective
Cette série de conférences est présentée par Linda Marguerite Weiss, professor emeritus à l’université de Sydney, directrice d’étude invitée à l’École des hautes études en sciences sociales.
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Tours
Chamada de trabalhos - Sociologia
Représentations et figures de la maternité dans le monde anglophone
L’ambition de ce colloque est d’interroger les discours liés à la maternité, les traductions des choix de société dans les représentations culturelles des mères comme icônes ou boucs-émissaires, et la réception ou la critique de ces représentations dans le contexte d’une quête de conformité ou de libération des conventions sociales.
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Reims
Chamada de trabalhos - História
The circulation of popular culture between Ireland and the USA (18th-21st centuries)
Dans le système de culture mondialisée qui caractérise les sociétés contemporaines, l'organisation d'un colloque international invite à concentrer l’attention sur un cas d’étude, la circulation des diverses formes de culture populaire entre Irlande et États-Unis. L’ancienneté, la constance et de l’intensité des échanges culturels entre les deux nations sont en effet largement antérieurs à la mondialisation culturelle ultra-contemporaine. Cette singularité inscrite dans la longue durée permet de mettre en perspective les phénomènes contemporains tout en les interrogeant.
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Berlim
Chamada de trabalhos - História
The conference seeks to examine the shaping of art history as a discipline during the 19th century in relation to artistic training and exchanges between artists and scholars. The development of art history has been associated with an array of socio-political and economic factors such as the formation of a bourgeois public, the politics of national identity and state legitimacy or the needs of an expanding art market. This conference aspires to explore yet another, less studied dimension: the extent to which the historical study of art was also rooted in an intention to inform contemporary artistic production.
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Liège
Chamada de trabalhos - Geografia
Sustainability of Rural Systems
Balancing Heritage and Innovation
Belgium is a highly populated country with a long history of land exploitation. The landscape is modified through human impact, shaped by diverse agricultural practices, early urbanization and industrialization, the exploitation of quarries and mines and the dense development of canals, railways and motorway networks. Nevertheless, rural areas are important because farming activities, increasingly mechanized and technologically based, contribute to economic activity, especially to Belgian exports. Agriculture plays an important role in maintaining open space and offering many services, which may be called agroservices, to the new residents of the countryside and people seeking recreation. Due to this long history and sophisticated technological responses to different issues, Belgium is a suitable place to reflect on sustainability and how to balance cultural and natural heritage and innovation with special reference to the ecological and social dimensions.
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Lisbon
Chamada de trabalhos - Pensamento
Utopia(s): worlds and frontiers of the imaginary
Second International Multidisciplinary Congress Proportion Harmonies Identities (PHI) 2016
Five hundred years ago, on the 20th October, Thomas More published the princeps edition of Utopia. To celebrate this event, The Research Centre in Architecture, Urban Landscape and Design (CIAUD) of the Faculty of Architecture of the University of Lisbon (FA-ULisboa), The Histoy Centre for Global History (CHAM) of the Faculdade de Ciências Sociais e Humanas of the Universidade Nova de Lisboa – Universidade dos Açores (FCSH-UNL- UA) invite researchers from different areas cultures to gather in Lisbon, the October 20th to 22nd, 2016, for the International and Multidisciplinary Congress Proportion Harmonies Identities 2016 – Utopia(s): Worlds and the Frontiers of the Imagination.
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Bolsa de estudo, prémios e ofertas de emprego - Américas
Terra Foundation Research Travel Grants to the United States (2016)
Terra Foundation Research Travel Grants provide support for research on topics concerning American art and visual culture prior to 1980. These grants enable scholars outside the United States to consult resources that are only available within the United States.
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Bolsa de estudo, prémios e ofertas de emprego - Américas
Terra Summer Residency for art historians and artists
Founded in 2001, the Terra Summer Residency brings together doctoral scholars of American Art and emerging artists worldwide for a nine-week residential program in the historic village of Giverny, France. The program encourages independent work while providing seminars and mentoring by senior scholars and artists to foster reflection and debate.
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Cincinnati
Chamada de trabalhos - Época Contemporânea
World Cinema and Television in French
This interdisciplinary conference will examine cinematic and televisual cultural productions that fall under a broad "French-language" umbrella in order to map out significant trends as well as new directions in the study of global French-language cinema and television and its points of contact with other languages and industries. It also aims to explore the opportunities and limitations of adopting labels such as cinéma-monde, transnational, Francophone, and World Cinema, as critical frameworks.
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Nantes
Chamada de trabalhos - Representações
This 2016 workshop on contemporary US-UK photography will take on the notion of censorship. With photography as its starting point, this edition aims to extend the debate to include the contemporary image on the whole. It is interested in the intermedial forays of other artistic forms in the practice of photographers (art installations, video and/or audio productions, performance, urban art practices, text/image interactions). How does the very artistic form/medium become in itself a means of expression and commitment when confronted with censorship, a means to create unity against censorship, a tool for identity expression of a group or of a minority, to circumvent constraints, or thrive upon these limits and generate creative impetus from them?
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