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Tous	45 965
Appel à contribution	18 002
Colloque	10 329
Journée d'étude	7 629
Séminaire	4 274
Informations diverses	2 247
Bourse, prix et emploi	2 121
Cycle de conférences	801
École thématique	304
Appel d'offres	258

83 Événements

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Rauischholzhausen

Colloque - Histoire

Reading History in Antiquity

Audience-oriented perspectives on Classical Historiography

Although the outcomes of reader-response criticism have repeatedly and meticulously been used in the analysis of other genres of classical literature (epic, tragedy, and oratory), the application of such a perspective still remains a significant desideratum in the field of classical historiography. The conference “Reading History in Antiquity: Audience-Oriented Perspectives on Classical Historiography” aspires to fill this gap.

Paris

Appel à contribution - Histoire

Toward a Geography of Architectural Criticism

Disciplinary Boundaries and Shared Territories

The research project Mapping.Crit.Arch: Architectural criticism 20^th and 21^st centuries, a cartography, funded by the French Agence Nationale de la Recherche, aims to develop a field of research on the history of architectural criticism, from the last decades of the 19^th century to the present day. It is based on an international network of scholars, whose interests cover the history of architectural criticism at various levels and through different approaches (including architectural theory, history of preservation, historiography of architecture, history of architectural periodicals and of criticism, history of photography).

Berlin

Colloque - Europe

History and drama: The pan-European tradition

DramaNet Conference V

Rereading Aristotle, Dionysius of Halicarnassus, and Demetrius through the lens of contemporary narratology provides scholarship with a potentially fruitful perspective for investigating the relationship between historical narrative and other forms of literature. In particular, the reflections of Dionysius and Demetrius on narrative style at the micro-level, as well as those of Aristotle on history and tragedy as ways of representing knowledge at the macro-level, might enable historians and comparatists to focus on the question of how pan-European historical narratives are related to the drama of their times.

Paris

Appel à contribution - Histoire

Les trajectoires d’Octobre 1917 : Origines, échos et modèles de la révolution

Autour d’Octobre 1917, nous proposons de faire dialoguer les historiens de 1917, à même d’apporter des éléments nouveaux d’interprétation et d’analyse de ce mouvement révolutionnaire dans l’Empire russe, avec des chercheurs travaillant sur d’autres aires et des périodes ultérieures, confrontés eux aussi à la question de 1917 dans l’analyse et l’interprétation de mouvements révolutionnaires. Pour mener à bien cette entreprise de croisement des recherches, nous organisons un colloque du 19 au 21 octobre 2017, auquel seront invités des chercheurs de différentes disciplines et spécialistes de divers espaces.

Le Mans

Appel à contribution - Histoire

Missions, musées et collections scientifiques : quand les missionnaires œuvraient à la cause de la science

Ce projet de workshop international a pour ambition de réunir chercheurs et chercheuses en histoire, civilisation, philosophie, sociologie et anthropologie pour revenir sur les liens qui, aux XIX^e et XX^e siècles, ont pu se tisser entre missionnaires et scientifiques, et de manière plus large, entre missions et sciences.

Berlin

Colloque - Représentations

Art History for Artists: Interactions Between Scholarly Discourse and Artistic Practice in the 19th Century

The development of art history as a discipline during the 19^th century has been variously associated with the politics of national identity, the needs of a growing bourgeois public in search of cultural capital, or of an expanding art market. However, the role of art training, and art practitioners themselves in the shaping of the discipline remains unexamined. Courses in art history had been systematically introduced in the curricula of art and architecture academies since the late 18^th century, and spaces of art education count among the first institutional homes of the discipline, well before the establishment of autonomous university chairs. This conference aims to explore the interactions and productive tensions between art practice and art scholarship in the 19^th century.

Bologne

Appel à contribution - Histoire

Actors and Vehicles of Architectural Criticism

“Mapping Architectural Criticism” Second International Workshop Bologna

This call for papers is for the second of three international workshops planned by the Mapping.Crit.Arch Project to foster scholarship on the history of architectural criticism and facilitate exchanges between scholars active in this field of research. Conceived as milestones of the research project, these workshops intend to go beyond somewhat widespread interpretations that invoke either the specificity of architectural criticism or its partial overlapping with other forms of writing. The workshops also want to challenge simplistic views that suggest the crisis of architectural criticism if not its entire demise. The second workshop will focus on the actors and “vehicles” of architectural criticism.

Brême

Appel à contribution - Époque contemporaine

Intersections of Art, Science, and Technology in Soviet Film and Culture

By maintaining the tension between artists’ imaginative approaches to technology in the Soviet Union (Meyerhold’s Biomechanics), film directors’ use of science such as physiology (Eisenstein’s Expressive Movement), and scientists’ own theorization of art history (Lev Vygotsky’s The Psychology of Art), this workshop aims at unpacking the historical and political forces behind Soviet film theory, film practice, and art history in relation to science and technology. While examining the juncture between art, science, and technology in post-Revolutionary Russia, with a focus on the avant-garde period until the death of Joseph Stalin, cinema is thus considered as a device beyond its medium of film (Francois Albera, Maria Tortajada: Cinema Beyond Film) and the medium-specificity of the arts is called into question.

Nicosie

Appel à contribution - Époque contemporaine

From Xenakis to the present: the Continuum in music and architecture

Continuum 2016

Since the Classical era and the Middle Ages, and in particular since Plato’s Timeus, the concept of continuum has preoccupied thinkers. In the early 20^th century, this notion was reactivated by the theory of relativity as well as other theories such as the uncertainty principle, changing our perception of the world, and consequently artistic discourse. We propose to examine where we are today in terms of the concept of continuum, both in theory and in practice. An interdisciplinary approach will enable us to evaluate the relevancy of this notion, comparing and contrasting it with other methodologies, during this international conference.

Prague

Appel à contribution - Épistémologie et méthodes

Transformation, degradation, disappearrance of scientific objects

In philosophy and history of science, the readings investigating the complexity of the abandonment of “scientific objects” are rather rare in comparison with those focusing on the “inventions”, the ‘constructions’ or the “genealogies”. During our meeting, we will specifically draw attention to the process of the “disappearance” of “scientific objects” (in both natural and social sciences).

Brno

Appel à contribution - Moyen Âge

Crossing the past: Medieval (and Early Modern) Brno and Olomouc in transition

The Summer School "Crossing the past" aims for a discussion about different (national art historical narratives of a specific late medieval corpus in Moravia. It provides the opportunity for young international scholars to meet the material reality of one of the most important medieval centers of the transalpine Europe, often marginalized in research, not only due to the linguistic barrier. The goal of the school is a close and direct examination of the on-site monuments and art objects, and secondly, a critical reflection about the diverse narratives and meta-narratives existing about these monuments.

Berlin

Appel à contribution - Histoire

Art history for artists: interactions between scholarly discourse and artistic practice in the 19th century

The conference seeks to examine the shaping of art history as a discipline during the 19^th century in relation to artistic training and exchanges between artists and scholars. The development of art history has been associated with an array of socio-political and economic factors such as the formation of a bourgeois public, the politics of national identity and state legitimacy or the needs of an expanding art market. This conference aspires to explore yet another, less studied dimension: the extent to which the historical study of art was also rooted in an intention to inform contemporary artistic production.

Paris

Journée d'étude - Histoire

Voluntary Associations in the Yugoslav Space

Relations with State and Family from the Late 19th Century to the Present

The workshop focusses on the changing relationship between voluntary associations/NGOs, the state and the family. According to traditional sociological views, civil society – and thus associations, as its most frequently evoked incarnation – are conceived as being opposed to both the state and the family, a sort of free space for collective agency escaping from the strictures of both kinship structures and of the state. More recently, scholars of civil society have convincingly shown the problems with drawing a clear-cut border between the state and VAs/NGOs, and tend to see this border as porous, shifting, and subject to negotiation.

Appel à contribution - Histoire

Res Antiquitatis. Journal of Ancient History, vol. 6 (2016)

Res Antiquitatis is the most recent editorial project of the Centre for Overseas History (CHAM) with the aim of becoming a space for reflexion and debate on Antiquity. The study and investigation of several Antiquities, from the Pre-Classical and Near Eastern to the Classic Antiquity, are the main motivation of this project, both for its intrinsic scientific interest and the conviction that such investigation may become, on the whole, a useful conceptual reflexion for the study of other periods and historical questions. Since it is not established any special theme for this issue, all contributions should, as usual, relate to Antiquity, either as specific area of studies or as object of cultural, social and historiographic reception through History.

Nanterre

Appel à contribution - Époque moderne

Modernist Emotions

Deuxième colloque international de la Société d'études modernistes

In continuation of the society’s inaugural conference on Modernist communities, we now propose to explore the debate over emotions in the Modernist era. We hope to foster reflection and discussion that will go beyond the paradox of a passionately anti-emotional Modernism towards a reconsideration of the large extent to which Modernism attempts to channel, remotivate, and revalue the power of emotion.

Poitiers

Appel à contribution - Moyen Âge

Writers as Builders

Alcuinus and the Carolingian Monumental Poetry – Medieval Ekphrasis, between East and West, Antiquity and Modernity

The sessions would like to explore the formal connections between the poetic production of medieval writers and the works of art they describe, evoke or invent in these texts. The academic separations of visual studies from the textual ones have been erasing for many years the relationship existing between the two kinds of com-position. From the V^th to the end of the XII^th century, from Paulinus of Nola to Baudri of Bourgueil, a rich corpus of these texts has been composed by some of the most prestigious writers of their time and stages some of the richest works of art from medieval Europe: the wall paintings in St Gall abbey and Mainz cathedral, the Bayeux tapestry, the stained glasses in St Denis basilica…

Villetaneuse

Colloque - Histoire

La marge et les historiens : de l’Amérique du Nord aux anciens empires

En s’intéressant aux « marges », les organisateurs engagent les participants à s’interroger sur les discussions actuelles à propos de l’écriture de l’histoire et ses représentations fictionnelles ou artistiques comme sur les rapports complexes entre histoire professionnelle et mémoires, entre histoire critique et mises en scène muséographiques et commémorations.

Paris

Colloque - Représentations

Faire l'histoire de la mode dans le monde occidental

Ce colloque international propose une réflexion pluridisciplinaire sur les expériences, les concepts et les discours des musées ou des universités, sur leurs origines intellectuelles et les cadres institutionnels qui permettent de les produire, dans la diversité des contextes locaux ou nationaux. L’objectif est de mieux comprendre les différentes logiques scientifiques pour faire apparaître de nouvelles convergences dans le domaine de la recherche, ouvrir sur une coopération internationale renouvelée.

Sheffield

Colloque - Asie

New approaches in Chinese garden history

In honour of Dr Alison Hardie's retirement

Une conférence explorant les nouveaux développements de la recherche en histoire des jardins chinois, en l'honneur du départ à la retraite de Dr. Alison Hardie.

La Haye

Colloque - Histoire

Towards a New History of World War II?

The history of WWII has been being written for the last 70 years. Witnesses, historians, actors, writers and many others have constructed our representation of the event. How will the WWII historiography evolve in Belgium and the Netherlands? How should historians interact with memorial politics and new media? Is it still relevant to consider WWII as a separate topic for research? How do digital humanities play a role? The latter are but a small number among the many questions that will be discussed at this international congress.

83 Événements

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Filtres sélectionnés

Anglais
Historiographie