Sort

By publication date

By relevance

• 01 Feb 2026

  Antwerp

  Call for papers - History

  Journée de l’histoire contemporaine 2026

  The 2026 edition of the Dag van de Nieuwste Geschiedenis – Journée de l’Histoire Contemporaine, organised by the Belgische Vereniging voor Nieuwste Geschiedenis – Association belge d’Histoire contemporaine BVNG-ABHC and the University of Antwerp, aims to focus on the use of Artificial Intelligence in (Belgian) historical research, heritage management, and education, and to provide a forum for exploring the opportunities, risks, and challenges of AI within the Belgian historical landscape by inviting contributions that approach these developments critically, empirically, and/or pedagogically.

  Read announcement

• 29 Apr 2024

  Ghent | Brussels

  Scholarship, prize and job offer - Representation

  Researcher for the FEDTWIN project "Photography Collection of the Royal Museums of Art and History"

  Consisting of about 120,000 items, the vast collection of photographs of the Brussels Royal Museums of Art and History has never been studied thoroughly. This project aims at the assessment, study and disclosure of this collection. This function is part of the FED-tWIN programme of the Federal Science Policy, which aims to promote sustainable cooperation between the ten Federal Scientific Institutions and the 11 Belgian universities through the funding of joint research profiles. In this case, its is a joint initiative of the Royal Museums of Art and History in Brussels and Ghent University. The position consists of a part-time position at the Royal Museums of Art and History in Brussels combined with a part-time position at Ghent University. It combines research tasks, educational tasks, organization of exhibitions, project leading tasks.

  Read announcement

• 09 Mar 2017

  10 Mar 2017

  Brussels

  Conference, symposium - Modern

  Minorities in/at war

  Between Violence and Legal Protection 1912-1923

  On 9 and 10 March 2017, the Jewish Museum of Belgium in collaboration with CegeSoma organizes  an international colloquium at the Royal Library of Belgium (Brussels). The violence perpetrated against minorities is one key issue, while their legal protection, is another. The conference tackles the period from 1912 to 1923. Lectures by historians from Europe, North America and the Middle East will be alternated with discussions. Attention will also be given to contemporary issues related to these questions.

  Read announcement

• 31 Jan 2014

  Brussels

  Call for papers - History

  Renovatio, inventio, absentia imperii

  From the Roman Empire to Contemporary Imperialism

  At the heart of the present conference will be the ‘reception’, ‘Nachleben’ or ‘permanence’ of the Roman Empire, of an idea and a historical paradigm which since Classical Antiquity has supported the most widespread claims to obtain and consolidate power. The focus will be on ‘culture’, this latter concept intended in a broad sense, i.e. including not only the arts, architecture, literature etc., but also philosophy, religion and, most importantly, discourse. As such, a wide array of themes will be subjected to academic scrutiny. Whereas the main focus will be on Europe and North America, this conference will also reach out towards non-Western contexts, whether or not directly related to the Roman example.

  Read announcement

• 25 Oct 2012

  26 Oct 2012

  Brussels

  Conference, symposium - History

  Dealer, collector, critic, publisher…: The « animateur d’art » and his multiples roles

  Pluridisciplinary research of these disregarded cultural mediators of the 19th and 20th centuries

  The first goal of our symposium is to enlighten the role of the animateur d’art in the development of the arts. We hope that this scientific gathering would help us specify this first formula of the cultural actor: “The animateur d’art is an amateur who actively participates in the defense of the arts and in the stimulation of the artistic creation in a certain period. He puts his numerous networks to work in order to spread ideologies and aesthetics through the cultural environment and the society. He is a key figure positioning himself as a mediator between the different art worlds – the plastic arts as well as between the different agents of the cultural environment. His work consists in building bridges between the artists and his own cultural environment in order to ease the reception of the works and to promote a peculiar aesthetics”.

  Read announcement