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• 01 aoû 2018

  Norwich

  Chamada de trabalhos - Antropologia

  Fields of vision: Thinking field photography and digital imaging across disciplines

  Digital technologies have profoundly altered how field images are made, how they circulate, and how they generate meaning. Meanwhile, advances in imaging present new possibilities for the production of visual knowledge of the material world. These changes have had profound effects upon the study of visual and material culture. This colloquium aims to train the spotlight on the rapidly shifting terrain of field photography, exploring its significance for the establishment, definition, and development of such interrelated disciplines as archaeology, anthropology, art history, heritage and museum studies.

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• 20 avr 2018

  Aberystwyth

  Chamada de trabalhos - Pensamento

  Dialectics of Dread and Refuge

  Theatre, Performance and Philosophy Working Group (TaPRA Conference)

  In A Grammar of the Multitude, Paolo Virno discriminates between the Kantian view of the dialectic of dread and refuge, which is based on a distinction between particular danger and absolute danger (also articulated by Heidegger through the distinction between fear and anguish) and the collapse of this distinction in the post-Fordist world, in which "the dividing line between fear and anguish, between relative dread and absolute dread, is precisely what has failed." (Virno 2004, 32) If post-Fordist institutions rely on a culture of pervasive dread – manifest as fear and anxiety – how do we resist this nearly intangible culture today? Arguably, we are moving beyond the sort of entrenched paralysis Virno speaks of, towards a new sort of political breakthrough, a manner of imagining life not determined by institutional cultures of fear and anxiety. Yet much thinking needs still to be done around the ways in which we engage in concerted resistance: do we fight within institutional walls – and if so, how do we resist systems of perpetual visibilisation – the gaze of securitization that renders us so exposed? What does this fight look like? Do we exit – and if so, where to? Is there a new underground? 

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• 01 jui 2012

  Birmingham

  Chamada de trabalhos - Ciências políticas

  Droits civiques et représentations

  Conférence Cinéma International V

  Submissions are invited for the fifth Foreign Language Film Conference, on the theme of Rights and Representations. In this historic setting of the American South, and in conjunction with Birmingham's 50th anniversary remembrance of the Sixteenth Street Baptist Church bombing, FLFC celebrates civil and human rights. Scholars will consider the question of civil rights in international cinematic traditions. How does film as an art and a genre represent civil rights, and human rights? What are the places of rebellion, terrorism, or non-violent resistance in forging individual freedoms, and how is this reflected in national cinematic traditions? How do international films address issues of discrimination, violence, repression, the struggle for social equality ? On the pedagogical side of the question, how do films about civil rights teach their viewers about international cultural and political traditions and movements ? How are these films incorporated into classroom discussions of global civil rights ?

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