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  • Dundee

    Beitragsaufruf - Geschichte

    Conférence annuelle pour « postgraduates » du Réseau des études portuaires et maritimes

    Established in 2016, the International Postgraduate Port and Maritime Studies Network brings together postgraduates working on port and maritime studies across a wide range of chronologies and geographies. The network is supported by the Centre for Port and Maritime History, a collaborative venture between The University of Liverpool, Liverpool John Moores University, and Merseyside Maritime Museum, which facilitates research on port cities and their relationship to maritime endeavour and enterprise. Our network is currently comprised of postgraduates from universities in the Basque Country, Crete, Hamburg and New South Wales, as well as from various institutions across the UK.

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  • Huddersfield

    Beitragsaufruf - Geschichte

    Arts and Models of Democracy in post-authoritarian Iberian Peninsula

    This two-day conference aims to innovatively question how artistic practices and institutions formed ways of imagining democracy and by what means arts and culture participate in the wider social struggle to define freedom and equality for the post-Estado Novo and post-Francoist period: how did artistic practices instantiate ideas of democracy in this context? Inversely, how did such democratic values inform artistic practice? How did Portuguese and Spanish artists and intellectuals negotiate between creative autonomy and social responsibility? And more broadly, what is the role of culture in a democracy? The core purpose of the conference is to bring scholars together from different subject areas and exploring any artistic practice (literature, visual and plastic arts, cinema and music).

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  • Manchester

    Beitragsaufruf - Geschichte

    Chronicling the War, Re-imagining French-ness

    Memoirs of the French external Resistance

    The study of wartime and post-war life-writing is integral to the history of the French external Resistance, which we define broadly to include members of Free France and subsequent Gaullist committees, as well as those men and women living outside France who did not directly belong to Gaullist movements but still considered themselves as resisters (such as the Jean Jaures Group in London) or shifted from being supporters to challengers of de Gaulle (such as the Admiral Muselier or the journalist and writer Pierre Bourdan). Some resisters put pen to paper out of a desire to honor the memory of their deceased comrades and pass on their story to the next generation. Others, by contrast, refused to write their wartime stories, either in reaction to the commemorative practices of First World War poilus and/or the various post-war political appropriations of the Resistance. 

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  • Oxford

    Beitragsaufruf - Geschichte

    Music and Late Medieval European Court Cultures

    Late medieval European court cultures have traditionally been studied from a mono-disciplinary and national(ist) perspective. This has obscured much of the interplay of cultural performances that informed “courtly life”. Recent work by medievalists has routinely challenged this, but disciplinary boundaries remain strong. The MALMECC project therefore has been exploring late medieval court cultures and the role of sounds and music in courtly life across Europe in a transdisciplinary, team-based approach that brings together art history, general history, literary history, and music history. Team members explore the potential of transdisciplinary work by focusing on discrete subprojects within the chronological boundaries 1280-1450 linked to each other through shared research axes, e.g., the social condition of ecclesiastic(s at) courts, the transgenerational and transdynastic networks generated by genetic lineage and marriage, the performativity of courtly artefacts and physical as well as social spaces, and the social, linguistic and geographic mobility of court(ier)s.

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  • Edinburgh

    Beitragsaufruf - Afrika

    Paving roads over well-trodden paths?

    The (dis-)use of everyday infrastructure from pre- to post-colonial Africa, 1800s to present

    We're putting out a call for panelists for our panel at the ECAS Conference in Edinburgh, June 11-14, 2019. This panel draws attention to the establishment of dynamic infrastructure systems through everyday usage. It is interested in the logics, actors, and practices that shaped infrastructure during transition periods, and in the ways (post-)colonial states engaged with existing infrastructure.

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  • Norwich

    Beitragsaufruf - Politikwissenschaften

    Exploring ‘francophone’ environmental justice approaches

    Anglo-american and francophone environmental justice approaches have largely evolved in parallel, both conceptually and politically. While anglophone EJ scholars have recently called for enlarging the conceptual underpinnings of environmental justice studies, ‘francophone’ influences have largely remained a blind spot in the literature. This panel focusses on the distinctiveness (or lack thereof) of French/francophone approaches to environmental justice. We hope to move this conversation forward by establishing cross-Channel connections between academic environmental justice networks in the UK and in France.

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  • Oxford

    Beitragsaufruf - Sprachwissenschaften

    Visibility/Invisibility

    Entre les couleurs et les visibles prétendus, on retrouverait le tissu qui les double, les soutient, les nourrit, et qui, lui, n’est pas chose, mais possibilité, latence et chair des choses. Maurice Merleau-Ponty, Le Visible et l’invisible (1964).

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  • London

    Beitragsaufruf - Geschichte

    Tele(visualising) health: TV, public health, its enthusiasts and its publics

    The conference aims to bring together scholars from different fields (such as, but not limited to, history, history of science, history of medicine, communication, media and film studies, television studies) working on the history of television in Great Britain, France and Germany (West and East) (the focus of the ERC BodyCapital project), but also other European countries, North and South America, Russia, Asia or other countries and areas. Papers might focus on one national, regional or even local framework. Considering the history of health-related (audio-) visuals as a history of transfer, as entangled history or with a comparative perspective are welcome. The organizers welcome contributions with a strong historical impetus from all social and cultural sciences.

     

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  • Oxford

    Beitragsaufruf - Neuere und Zeitgeschichte

    Race, Gender and Technology in Science-Fiction

    The Maison Française conference committee invites proposals that examine the themes of race, gender and technology in science-fiction from the classical period to the present, in all media (print, film, television…) and from any continent.

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  • Oxford

    Beitragsaufruf - Darstellung

    The British, American and French Photobook: Commitment, Memory, Materiality and the Art Market (1900-2019)

    The Maison Française conference committee invites proposals on the social history of the British, American or French photobook from 1900 to the present. Papers will address: commitment or explicit political engagement; memory, commemoration and the writing of history; materiality (whether real or virtual), and how material form affects circulation, handling, critical responses and the social life of the photobook. We invite contributors to analyse these topics with respect to the growth of the market for the photobook as a commodity and an object of bibliophilic attention. Proposals focusing on contemporary productions are particularly welcome.

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  • Huddersfield

    Beitragsaufruf - Geistesgeschichte

    Music and Democracy: beyond Metaphors and Idealization

    This study day aims to interrogate the experimental and novel socialities, imagined communities and social and institutional conditions summoned into being by 'democratic' forms of music-making: What is the nature of a 'democratic ideal' in music (or art-making more widely)? What is achieved, politically, by rethinking the way in which music is made? When does such rethinking affect the wider domain of social relations, and when does it not? If democratic music-making can help with the wider democratisation of social life, how does it do so? When and how is ‘democratic' music more than just a metaphor?

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  • Leeds

    Beitragsaufruf - Mittelalter

    Text as object in the Middle Ages

    The International Medieval Congress (IMC) is the largest medieval studies conference in the world. In line with the Special Thematic Strand in 2019 “Materialities” and the recent creation of the strand “Manuscript studies”, we organize sessions on “Text as object in the Middle Ages”. Texts, indeed, are at the same time an idea and a form. The latter is the result of a combination of inherited social uses and specific intentions by the various actors involved in transmitting the text as idea. This process begins with the authors, continues to the craftsmen (parchment and paper makers, copyists and chancery clerks, painters and illuminators, sculptors and weavers, booksellers…) and then on to possessors, readers, archives and libraries. All textual artefacts are concerned: manuscripts, charters, inscriptions, tapestries, seals, coins, etc.

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  • Norwich

    Beitragsaufruf - Ethnologie, Anthropologie

    Fields of vision: Thinking field photography and digital imaging across disciplines

    Digital technologies have profoundly altered how field images are made, how they circulate, and how they generate meaning. Meanwhile, advances in imaging present new possibilities for the production of visual knowledge of the material world. These changes have had profound effects upon the study of visual and material culture. This colloquium aims to train the spotlight on the rapidly shifting terrain of field photography, exploring its significance for the establishment, definition, and development of such interrelated disciplines as archaeology, anthropology, art history, heritage and museum studies.

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  • Cambridge

    Beitragsaufruf - Politikwissenschaften

    Monarchie et modernité depuis 1500

    Si l’histoire de l’Europe est essentiellement celle d’États monarchiques, les monarchies encore en place au lendemain de la seconde Guerre mondiale ne ressemblent plus guère à celles qui régissaient le continent à la fin du Moyen Âge. L’époque contemporaine a transformé la monarchie comme état de fait en une opinion, dans le même mouvement qui faisait basculer un monde marqué par l’omniprésence du sacré vers un autre marqué par celle du profane. Les désignants ont pu demeurer inchangés – tout comme se sont perpétués familles, domaines et résidences princières -, mais leur sens s’est modifié en profondeur au fil des siècles et au gré des pays, transformant les mécanismes et les fonctions du pouvoir monarchique comme sa substance même.

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  • London

    Beitragsaufruf - Darstellung

    Reaching/Outreaching

    TaPRA Theatre, Performance and Philosophy Research Event

    In On Being Included, Sara Ahmed argues that institutional commitments to diversity may be considered “non-performatives”: they do not bring about what they name. Institutions run diversity workshops and committees, outreach programmes and ‘participatory’ or ‘inclusive’ agendas, but where does the gesture stop, and where does it begin? How may we understand the choreography and the dramaturgy of institutional outreaching? How can we begin to detour this language so as to rethink the role of the university – and of artistic practice – in public life today? Does the university have a role to play in public life, and what might that be? Does this equate with ‘outreach’? What is the relationship between artistic practice and what may be termed ‘creative research’?

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  • Aberystwyth

    Beitragsaufruf - Geistesgeschichte

    Dialectics of Dread and Refuge

    Theatre, Performance and Philosophy Working Group (TaPRA Conference)

    In A Grammar of the Multitude, Paolo Virno discriminates between the Kantian view of the dialectic of dread and refuge, which is based on a distinction between particular danger and absolute danger (also articulated by Heidegger through the distinction between fear and anguish) and the collapse of this distinction in the post-Fordist world, in which "the dividing line between fear and anguish, between relative dread and absolute dread, is precisely what has failed." (Virno 2004, 32) If post-Fordist institutions rely on a culture of pervasive dread – manifest as fear and anxiety – how do we resist this nearly intangible culture today? Arguably, we are moving beyond the sort of entrenched paralysis Virno speaks of, towards a new sort of political breakthrough, a manner of imagining life not determined by institutional cultures of fear and anxiety. Yet much thinking needs still to be done around the ways in which we engage in concerted resistance: do we fight within institutional walls – and if so, how do we resist systems of perpetual visibilisation – the gaze of securitization that renders us so exposed? What does this fight look like? Do we exit – and if so, where to? Is there a new underground? 

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  • Leeds

    Beitragsaufruf - Neuere und Zeitgeschichte

    Memory and performance in African-Atlantic futures

    This conference examines how African diaspora performative intervention through theatre, visual art, law, the museum, etc., is challenging colonialist structures in the present. It seeks to produce new insights around  memory as a tool that connects individuals and groups not only to their pasts but to their futures.

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  • Coventry

    Beitragsaufruf - Neuere und Zeitgeschichte

    Between and Beyond

    Transnational Networks and the British Empire (Ca. 18-20th centuries)

    This workshop intends to bring together research scholars of history and affiliated fields working on transnational networks fostered through the British Empire. We wish to focus on how certain forms of the “empire”, the “colony”, and the “outside” mutually constituted each other. Such an approach, we believe, could illumine the dense transnational convergences that shape the political, the economic, the social, and the cultural in various locations simultaneously. 

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  • Coventry

    Beitragsaufruf - Geschichte

    “Bites Here and There”: Literal and Metaphorical Cannibalism across Disciplines

    “Bites Here and There”: Literal and Metaphorical Cannibalism across Disciplines est une conférence qui aura lieu sur le campus de l'université de Warwick, en Angleterre, le 17 novembre 2018. L'anthropophagie a fasciné l'homme depuis l'antiquité, que ce soit en littérature, histoire, archéologie ou sciences sociales. De ce fait, cet appel a contribution invite chercheurs de toutes disciplines à envoyer un abstrait (en anglais) au sujet du cannibalisme litéral ou métaphorique pour le 17 juillet 2018.

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  • East London

    Beitragsaufruf - Darstellung

    Stages of Utopia and Dissent

    50 years on…

    15th May 1968: the Odeon theatre in Paris is occupied by students and becomes the insurgent headquarters where every night militants recount the days' action in occupied factories to an audience of people camping in the auditorium. Youth rebellion was never as mythologised as that of the French students’ fight against institutional oppression. The effects were felt across the Channel, too – but the nature of those effects was, and remains, disputed. 50 years on… where are we? What remains of autogestion and emancipatory education? What remains of theatre inventiveness and sedition? What remains of a need for participatory audiences? What remains of utopia and dissent?

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