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Oxford
Entre les couleurs et les visibles prétendus, on retrouverait le tissu qui les double, les soutient, les nourrit, et qui, lui, n’est pas chose, mais possibilité, latence et chair des choses. Maurice Merleau-Ponty, Le Visible et l’invisible (1964).
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London
Tele(visualising) health: TV, public health, its enthusiasts and its publics
The conference aims to bring together scholars from different fields (such as, but not limited to, history, history of science, history of medicine, communication, media and film studies, television studies) working on the history of television in Great Britain, France and Germany (West and East) (the focus of the ERC BodyCapital project), but also other European countries, North and South America, Russia, Asia or other countries and areas. Papers might focus on one national, regional or even local framework. Considering the history of health-related (audio-) visuals as a history of transfer, as entangled history or with a comparative perspective are welcome. The organizers welcome contributions with a strong historical impetus from all social and cultural sciences.
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Oxford
Race, Gender and Technology in Science-Fiction
The Maison Française conference committee invites proposals that examine the themes of race, gender and technology in science-fiction from the classical period to the present, in all media (print, film, television…) and from any continent.
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Oxford
Conference, symposium - Modern
Industrial vigilantism, strikebreaking and patterns of anti-labour violence, 1890s-1930s
The conference is open to multi-disciplinary approaches and to both qualitative and quantitative methodologies. In particular, it will explore the complex relationships between private agencies, semi-public groups, and local and national police authorities. One particular focus will be the development of organizational forms of strike-breaking, notably through the emergence of self- defence groups and community police patrols during or in anticipation of strikes. The conference will also explore the role of ideologies and emotions in the generation of violence, whereby groups felt legitimized in their decisions to defend social order, state authority and economic freedom. Such actions were often simultaneously local as well as national, and national as well as international.
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London
Institute of advanced studies talking points seminar
Taking her recently published book Ethnography of Urban Territories (2018) as a starting point for this Talking Points Seminar, Monika Streule invites exploration and discussion of the experimental, critical and self-reflective use of differing methods in today’s urban studies.
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Oxford
Call for papers - Representation
The Maison Française conference committee invites proposals on the social history of the British, American or French photobook from 1900 to the present. Papers will address: commitment or explicit political engagement; memory, commemoration and the writing of history; materiality (whether real or virtual), and how material form affects circulation, handling, critical responses and the social life of the photobook. We invite contributors to analyse these topics with respect to the growth of the market for the photobook as a commodity and an object of bibliophilic attention. Proposals focusing on contemporary productions are particularly welcome.
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Huddersfield
Music and Democracy: beyond Metaphors and Idealization
This study day aims to interrogate the experimental and novel socialities, imagined communities and social and institutional conditions summoned into being by 'democratic' forms of music-making: What is the nature of a 'democratic ideal' in music (or art-making more widely)? What is achieved, politically, by rethinking the way in which music is made? When does such rethinking affect the wider domain of social relations, and when does it not? If democratic music-making can help with the wider democratisation of social life, how does it do so? When and how is ‘democratic' music more than just a metaphor?
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Leeds
Text as object in the Middle Ages
The International Medieval Congress (IMC) is the largest medieval studies conference in the world. In line with the Special Thematic Strand in 2019 “Materialities” and the recent creation of the strand “Manuscript studies”, we organize sessions on “Text as object in the Middle Ages”. Texts, indeed, are at the same time an idea and a form. The latter is the result of a combination of inherited social uses and specific intentions by the various actors involved in transmitting the text as idea. This process begins with the authors, continues to the craftsmen (parchment and paper makers, copyists and chancery clerks, painters and illuminators, sculptors and weavers, booksellers…) and then on to possessors, readers, archives and libraries. All textual artefacts are concerned: manuscripts, charters, inscriptions, tapestries, seals, coins, etc.
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Norwich
Call for papers - Ethnology, anthropology
Fields of vision: Thinking field photography and digital imaging across disciplines
Digital technologies have profoundly altered how field images are made, how they circulate, and how they generate meaning. Meanwhile, advances in imaging present new possibilities for the production of visual knowledge of the material world. These changes have had profound effects upon the study of visual and material culture. This colloquium aims to train the spotlight on the rapidly shifting terrain of field photography, exploring its significance for the establishment, definition, and development of such interrelated disciplines as archaeology, anthropology, art history, heritage and museum studies.
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Cambridge
Call for papers - Political studies
Monarchy and modernity since 1500
Si l’histoire de l’Europe est essentiellement celle d’États monarchiques, les monarchies encore en place au lendemain de la seconde Guerre mondiale ne ressemblent plus guère à celles qui régissaient le continent à la fin du Moyen Âge. L’époque contemporaine a transformé la monarchie comme état de fait en une opinion, dans le même mouvement qui faisait basculer un monde marqué par l’omniprésence du sacré vers un autre marqué par celle du profane. Les désignants ont pu demeurer inchangés – tout comme se sont perpétués familles, domaines et résidences princières -, mais leur sens s’est modifié en profondeur au fil des siècles et au gré des pays, transformant les mécanismes et les fonctions du pouvoir monarchique comme sa substance même.
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London
Miscellaneous information - Representation
Antoine Vérard's early printed books
British Library
Antoine Vérard was a major Parisian editor and publisher of the late 15th and early 16th century and is well known for his production of illustrated books. After the death of Caxton, he became the main provider of French printed books for the royal library of Henry VII
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Oxford
Conference, symposium - History
The study of scents and all things olfactory is currently thriving, a sign of the great interest that our information-based societies feel for a sense which seems to offer a direct and immediate experience of reality. The conference The Mediality of Smells aims to develop the nascent interdisciplinary exchange around smells by examining the question of the media and the possible mediatisation of smells.
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York
Conference, symposium - History
Transnational Approaches to the French Wars of Religion
Les guerres de religion françaises sont majoritairement étudiées dans leurs perspectives nationale et locale. Ce colloque souhaite donner toute sa place aux approches transnationales qui offrent de nouvelles perspectives à la compréhension de ces guerres.
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Oxford
Scholarship, prize and job offer - Europe
History of Science, Technology and Medicine – Visiting Senior Research Fellowship
La Maison Française d’Oxford souhaite accueillir annuellement des chercheurs invités dans le domaine de l’histoire des sciences et des techniques pendant Hilary term, traditionnellement entre janvier et mars du calendrier universitaire de l’université d’Oxford.
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London
Conference, symposium - Europe
Stages of Utopia and Dissent, 50 years on...
15 May 1968: the Odeon theatre in Paris is occupied by students and becomes the insurgent headquarters where every night militants recount the days' action in occupied factories to an audience of people camping in the auditorium. Youth rebellion was never as mythologised as that of the French students’ fight against institutional oppression. The effects were felt across the Channel, too – but the nature of those effects was, and remains, disputed. 50 years on… where are we? What remains of autogestion and emancipatory education? What remains of theatre inventiveness and sedition? What remains of a need for participatory audiences? What remains of utopia and dissent?
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Paris | Nanterre | London
Lecture series - Political studies
Global '68 - Solidarity in Alliance and Global History
1968 was a year of offensives, uprisings, and demonstrations against capitalism and imperialism, for liberation and emancipation and the war in Vietnam was its epicenter. The events claimed many victories for democracy, equality, and emancipation, but also provoked deep, abiding repression. A counterfeit history has subsequently erased police violence and the deaths of participants, removed workers, women, students, and indigenous peoples from the picture, and eliminated anti-Americanism, anti-imperialism, anti-capitalism, as well as the profound influences of the wars and interventions in Algeria, Latin America, and Vietnam. “Global 68” will retrieve the aspirations, energies, memories, and histories of this worldwide movement and offer hope to a new generation of activists.
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Oxford
Towards a Social History of Photoliterature and the Photobook
Seminar at the Maison Française d’Oxford 2017-2018 (Trinity Term)
This international seminar brings together researchers working on photography and the book with interdisciplinary approaches, connecting the aesthetic and material dimensions of the photobook with social, economic and political perspectives.
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London
Call for papers - Representation
TaPRA Theatre, Performance and Philosophy Research Event
In On Being Included, Sara Ahmed argues that institutional commitments to diversity may be considered “non-performatives”: they do not bring about what they name. Institutions run diversity workshops and committees, outreach programmes and ‘participatory’ or ‘inclusive’ agendas, but where does the gesture stop, and where does it begin? How may we understand the choreography and the dramaturgy of institutional outreaching? How can we begin to detour this language so as to rethink the role of the university – and of artistic practice – in public life today? Does the university have a role to play in public life, and what might that be? Does this equate with ‘outreach’? What is the relationship between artistic practice and what may be termed ‘creative research’?
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Aberystwyth
Dialectics of Dread and Refuge
Theatre, Performance and Philosophy Working Group (TaPRA Conference)
In A Grammar of the Multitude, Paolo Virno discriminates between the Kantian view of the dialectic of dread and refuge, which is based on a distinction between particular danger and absolute danger (also articulated by Heidegger through the distinction between fear and anguish) and the collapse of this distinction in the post-Fordist world, in which "the dividing line between fear and anguish, between relative dread and absolute dread, is precisely what has failed." (Virno 2004, 32) If post-Fordist institutions rely on a culture of pervasive dread – manifest as fear and anxiety – how do we resist this nearly intangible culture today? Arguably, we are moving beyond the sort of entrenched paralysis Virno speaks of, towards a new sort of political breakthrough, a manner of imagining life not determined by institutional cultures of fear and anxiety. Yet much thinking needs still to be done around the ways in which we engage in concerted resistance: do we fight within institutional walls – and if so, how do we resist systems of perpetual visibilisation – the gaze of securitization that renders us so exposed? What does this fight look like? Do we exit – and if so, where to? Is there a new underground?
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Leeds
Memory and performance in African-Atlantic futures
This conference examines how African diaspora performative intervention through theatre, visual art, law, the museum, etc., is challenging colonialist structures in the present. It seeks to produce new insights around memory as a tool that connects individuals and groups not only to their pasts but to their futures.
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