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• 01 jui 2020

  Ouro Preto

  Beitragsaufruf - Geistesgeschichte

  Figurations and Interlocutions: The Feminine Question in Walter Benjamin’s Oeuvre

  Artefilosofia Journal

  Even though he was a philosopher, not a poet, Walter Benjamin (1892-1940) thought poetically, says Hannah Arendt about his friend and life-long correspondent. In his oeuvre, the feminine appears through recurrent images whose meaning may vary according to the context, in different figurations and fictions. In agreement with these fictional figurations, one of his first essays presents the question of what a feminine culture or a feminine language would be (Metaphysik der Jugend, GS, II, I, 1977).

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• 15 mai 2018

  Ouro Preto

  Beitragsaufruf - Geistesgeschichte

  Vilém Flusser, Walter Benjamin – The technical ambiguities

  “Artefilosofia” Journal

  In different moments of his work, Walter Benjamin reflects upon the question of technology and related issues such as work as the mediation between man and nature, conducting his critical analysis of progress. He says: “What’s the idea? to speak of progress to a world sinking into the rigidity of death. (...) The concept of progress must be grounded in the idea of catastrophe. That things are 'status quo' is the catastrophe. It is not an ever-present possibility but what in each case is given.” Marxism will also be reviewed by him  according to his critical conception of progress: “Marx said that revolutions are the locomotive of world history.

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