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  • Göttingen

    Summer School - History

    Memory and the making of knowledge in the Early Modern world

    While memory is an established sub-field within these disciplines, its themes and sources have led to an over-representation of the ancient and modern worlds, meaning that the early modern era has been comparatively neglected. The School seeks not merely to redress this imbalance, but also to explore how studies of memory and early modernity might shape one another in the future. Participants in the Summer School, which will take place between 18 and 22 September 2017, will have the opportunity to discuss the most recent research presented by leading scholars in the field, to learn or refine skills in workshops that focus on the media and techniques of memory, and to present their own work to a uniquely qualified and supportive international peer group.

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  • Göttingen

    Summer School - Epistemology and methodology

    3D Modeling and Reconstruction with Blender and Unity 3D

    3D visualisation technologies enable and advance the preservation of and research on all kinds of cultural heritage. Modeling, visualising and animating culturally important objects or sites via 3D technologies allow researchers a more detailed and high-resolution view on their research material.

     

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  • Göttingen

    Summer School - Epistemology and methodology

    Visual Analysis with Digital Tools

    Göttingen Center for Digital Humanities (GCDH) International Summer School 2014

    The Digital Humanities enhance the methods of traditional research in the humanities through automated data acquisition and processing. Visualisations can play a central role in analysing such data. This Summer School will address a set of fundamental problems, such as requirements for scientific visualisation or visual strategies. The main goal, however, is to focus on the practical side to enable the participants to tackle specific visualisation problems in order to advance their own research. The natural sciences have a long tradition of interest in visualisation methods (just compare magazines like "Science" or "Nature" to any magazine with a humanities background). The humanities are catching up, though, and starting to apply visualisation techniques to answer their own research questions. A set of tools has emerged in recent years and has introduced a number of visualisation practices into the humanities. Charts, graphics, 3D visualisations or "Maps, Graphs, Trees" (to quote the title of a well-known recent book on the subject), should not only illustrate, but also create new knowledge. Only then can we call visualisations a true method in the Digital Humanities.

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