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  • Utrecht

    Colóquio - História

    The Many Lives of Europe's Audiovisual Heritage Online

    During the past decade, a massive body of European audiovisual heritage has become accessible online: on video sharing sites and websites of archives, or through initiatives such as EUscreen.eu and Europeana.eu. Once online, audiovisual heritage circulates in diverse ways: users watch, share, like, or dislike it; they comment, appropriate, and download videos for remix and recirculation. It thus becomes part of the popular consumption of history, potentially creating new interpretations of heritage materials, challenging authorised perspectives. Heritage institutions perceive the consequences of the recent technological transformations of the sector as a major challenge and opportunity.

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  • Florence

    Chamada de trabalhos - Época Moderna

    (Re) thinking translations

    Methodologies, objectives, perspectives

    In the last four decades, scholars have begun to go beyond the traditional perspective of linguistic and literary studies, and to consider the translations as cultural practices and the result of various processes of cultural and intellectual “negotiation” between two different contexts. In recent years also historians have progressively started to take a close interest in translations as sources to investigate the ways in which knowledge and ideas were constructed, disseminated, re-elaborated and assimilated in new cultural, social and political contexts. The aims of this international conference is to encourage an interdisciplinary dialogue on these problems, bringing together scholars, graduate students and early career researchers from Translation Studies, History, History of Book, History of Science, Literary Studies and related disciplines who are interested in discussing methodologies, objectives and perspectives in the study of translations.

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  • Ghent

    Colóquio - Época Contemporânea

    Male Bonds in Nineteenth-Century Art

    The conference will probe, challenge and expand upon the academic narrative of male homosociality through the lens of art history. It aims to establish an overview of a variety of male bonds that underpinned nineteenth-century art, and to consider the theoretical and methodological implications of the study thereof. In so doing, it seeks to build a bridge between traditional art-historical scholarship and the fields of gender and gay and lesbian studies: an interdisciplinary exchange of which the full potential for scholarship on the nineteenth century remains to be exploited.

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  • Madrid | Alcalá de Henares | Pozuelo de Alarcón

    Chamada de trabalhos - Época Contemporânea

    Myth and Audiovisual Creation

    V Congresso Internacional de Mitocrítica "Mito e Criação Audiovisual"

    Le V Congrès International de Mythocritique “Mythe et création audiovisuelle” est une initiative du Programme de Recherche Acis&Galatea, financé par la Communauté de Madrid et le Fonds Social Européen. Le Congrès s’organisera au tour de 4 sièges selon le thème: “Mythes germaniques” à l´université de Alcalá, “Mythes classiques” à l´université Autónoma, “Mythes bibliques” à l´université Francisco de Vitoria et “Mythes modernes” à l´université Complutense. Les chercheurs peuvent envoyer leur proposition de communication à un des 4 sièges. Leur objectif consistera à analyser le rôle du cinéma, les séries télévisées, les jeux vidéo dans la création et adaptation des mythes anciens, médiévaux et modernes et notre monde contemporain. 

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  • Londres

    Chamada de trabalhos - Representações

    Reaching/Outreaching

    TaPRA Theatre, Performance and Philosophy Research Event

    In On Being Included, Sara Ahmed argues that institutional commitments to diversity may be considered “non-performatives”: they do not bring about what they name. Institutions run diversity workshops and committees, outreach programmes and ‘participatory’ or ‘inclusive’ agendas, but where does the gesture stop, and where does it begin? How may we understand the choreography and the dramaturgy of institutional outreaching? How can we begin to detour this language so as to rethink the role of the university – and of artistic practice – in public life today? Does the university have a role to play in public life, and what might that be? Does this equate with ‘outreach’? What is the relationship between artistic practice and what may be termed ‘creative research’?

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  • Aberystwyth

    Chamada de trabalhos - Pensamento

    Dialectics of Dread and Refuge

    Theatre, Performance and Philosophy Working Group (TaPRA Conference)

    In A Grammar of the Multitude, Paolo Virno discriminates between the Kantian view of the dialectic of dread and refuge, which is based on a distinction between particular danger and absolute danger (also articulated by Heidegger through the distinction between fear and anguish) and the collapse of this distinction in the post-Fordist world, in which "the dividing line between fear and anguish, between relative dread and absolute dread, is precisely what has failed." (Virno 2004, 32) If post-Fordist institutions rely on a culture of pervasive dread – manifest as fear and anxiety – how do we resist this nearly intangible culture today? Arguably, we are moving beyond the sort of entrenched paralysis Virno speaks of, towards a new sort of political breakthrough, a manner of imagining life not determined by institutional cultures of fear and anxiety. Yet much thinking needs still to be done around the ways in which we engage in concerted resistance: do we fight within institutional walls – and if so, how do we resist systems of perpetual visibilisation – the gaze of securitization that renders us so exposed? What does this fight look like? Do we exit – and if so, where to? Is there a new underground? 

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  • Chamada de trabalhos - Pensamento

    Hans Ulrich Gumbrecht

    ArteFilosofia journal

    In recent years, Hans Ulrich Gumbrecht has dedicated his attention to a description of the broad present – the temporality that characterizes our time, which he conceives as a space marked by a twofold reduction of the “space of experience” and the “horizon of expectations.” This temporal experience specific to contemporaneity has intensified a suspension, as it were, of entities around us, which entails a tendency to, on the one hand, repetition of more sedimented experiences and, on the other, virtualization and consumerism. Along with suspension, however, one also observes a certain tendency of placing sensibility, indeed, the body, in a fundamental place.

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  • Chamada de trabalhos - Época Contemporânea

    Writing Space with Moving Images: Exhibition, Museum and Urban Itineraries

    This special issue seeks to explore the use of moving images as a museographic tool, distancing itself from the institutions of contemporary art in order to address all forms of writing the exhibition space through cinema, video and other devices linked to moving images, focusing on museums, commercial presentations and fairs, on architectural and urban contexts, in the present or with a historical perspective.

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  • Ottawa

    Chamada de trabalhos - Representações

    Machines et imaginaires musicaux (1900-1950)

    Cette journée d’étude propose de reconsidérer d’un point de vue historique, esthétique, analytique et socioculturel la place occupée par les machines dans les musiques de la première moitié du XXe siècle, époque de prolifération de la technologie de masse. 

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  • Liège

    Chamada de trabalhos - Pensamento

    Failing identities: Identification and resistance

    The popularity of the concept of identity is to be situated in the aftermath of the linguistic turn, which led to identity being conceived of as the product of discursive interpellations. The pervasive presence of identity as an object of study is, however, and to an even greater degree, also explained by the postmodern critique of universality and the concomitant deconstruction of the universal subject as a fiction subservient to particular (masculine, white, western, heterosexual...) interests.

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  • Sibiu

    Chamada de trabalhos - Época Contemporânea

    Instances of power and cultural discourse

    Intercultural exchange in the age of globalization, second edition

    In the context of today’s social, political and economic changes, power is one of the governing principles of culture. Power comes in many shapes and sizes and it manifests itself under various forms: it can be tyrannical or a combination of forces (Foucault); it can be charismatic, traditional and rational (Weber) or the opposite – manipulative; it can also appear as a system of diluted forces that spring from the “social field” (Bourdieu); it can remain in the unconscious or it can manifest itself in the speech act. However it may appear, it has become clear that power shapes the course of the creation, interpretation and analysis of literary texts and other cultural products.

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  • Colóquio - História

    The Regional and Transregional in Romanesque Art and Architecture

    The categorization of Romanesque by region was a cornerstone of 20th-century scholarship, and the subject is ripe for reappraisal, particularly in relation to transregional and pan-European artistic styles and approaches. In addition to a review of the historiography of the subject, individual papers are concerned with the strength, durability, mutability and geographical scope of regional styles, the extent to which media are important, the assumption and transmission of forms and motifs, the conditions that give rise to the development of transregional styles and the agencies that cut across territorial boundaries.

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  • Genebra

    Chamada de trabalhos - História

    Divided memories, shared memories: Poland, Russia, Ukraine

    History mirrored in literature and cinema

    In Central and Eastern European countries, memorial questions appeared right after the demise of the communist regimes in 1989–1991, revealing long-denied processes. The phenomenon of the rise of repressed memories along with the rewriting of history, and the political uses of the past are noticeable in Poland, Russia, and Ukraine, three countries whose histories are as often shared as their memories are divided. The “memory wars” in which these three states have sometimes been engaged since the end of the 1980s have been the subject of an abundant historiography.

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  • Chamada de trabalhos - Américas

    « América Crítica » – Varia

    Issue 2(1) – 2018

    The editors are looking for articles, translations, interviews as well as book or performance reviews. América Crítica is a peer reviewed, biannual journal published by CISAP (Centro Interdipartimentale di Studi sull’America Pluriversale) at the University of Cagliari, Italy. It publishes unsolicited articles related to any area of American Studies, Latin American Studies and Hemispheric American Studies (literature, history, linguistics, arts, cultural studies, film studies, politics, social sciences and anthropology). It especially welcomes contributions focusing on a comparative approach, native and/or minority cultures in the Americas, American urban cultures, and marginal and contested cultures and identities in the Americas.

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  • Coimbra | Lisbon | Alenquer

    Chamada de trabalhos - História

    Origins, Evolutions and the Present of the Universal Fraternity Utopia

    This scientific event, under the broad theme of the Holy Spirit and its utopias of fraternity, harmony, peace and justice on Earth, intends to also celebrate five important centenaries, which are interconnected in the active hope of creating a better and more united world.

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  • Chamada de trabalhos - Linguagem

    Transnationalism and Modern American Women Writers

    This volume of essays, which will be published in the December 2018 issue of the webjournal E-rea, discusses a broad spectrum of writing by American women who engaged with modernity and national border-crossing in ways that deepen our understanding of modernist literary production of the early and middle years of the twentieth century.

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  • Leeds

    Chamada de trabalhos - Época Contemporânea

    Memory and performance in African-Atlantic futures

    This conference examines how African diaspora performative intervention through theatre, visual art, law, the museum, etc., is challenging colonialist structures in the present. It seeks to produce new insights around  memory as a tool that connects individuals and groups not only to their pasts but to their futures.

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  • Coventry

    Chamada de trabalhos - Época Contemporânea

    Between and Beyond

    Transnational Networks and the British Empire (Ca. 18-20th centuries)

    This workshop intends to bring together research scholars of history and affiliated fields working on transnational networks fostered through the British Empire. We wish to focus on how certain forms of the “empire”, the “colony”, and the “outside” mutually constituted each other. Such an approach, we believe, could illumine the dense transnational convergences that shape the political, the economic, the social, and the cultural in various locations simultaneously. 

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  • Halle an der Saale

    Bolsa de estudo, prémios e ofertas de emprego - História

    The obligation of societal norms – PhD scholarships

    History, German studies, music, philosophy, political science, religious studies, Romance studies and theology

    The International Graduate School “The obligation of societal norms” at the Center of Excellence “Enlightenment – Religion – Knowledge” invites applications for 10 PhD scholarships, starting on 1 October 2018. The PhD position has a stipend of €1,500 / month and is funded for a maximum of 3 years.

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  • Loughborough

    Bolsa de estudo, prémios e ofertas de emprego - Representações

    PhD Studentships, School of the Arts, English and Drama, Loughborough University

    The Politicised Practice Research Group in the The School of the Arts, English and Drama at Loughborough University is offering a three-year PhD scholarship for a practice-based research project starting in October 2018. We welcome the submission of high-quality proposals that have the potential to make a substantive contribution to research within the School and invite proposals that address the following research theme: Re-imagining citizenship through practice.

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