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  • Nantes

    Call for papers - Representation

    Censorship: Creative contemporary constraints and dynamics in the representation of the British and American nations

    This 2016 workshop on contemporary US-UK photography will take on the notion of censorship. With photography as its starting point, this edition aims to extend the debate to include the contemporary image on the whole. It is interested in the intermedial forays of other artistic forms in the practice of photographers (art installations, video and/or audio productions, performance, urban art practices, text/image interactions). How does the very artistic form/medium become in itself a means of expression and commitment when confronted with censorship, a means to create unity against censorship, a tool for identity expression of a group or of a minority, to circumvent constraints, or thrive upon these limits and generate creative impetus from them?

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  • Washington

    Conference, symposium - Representation

    Shifting Terrain: Mapping a Transnational American Art History

    A Terra Symposium on American Art in a Global Context

    The increasing internationalization of the study of American art has altered the topography of the discipline in ways that are widely acknowledged but not yet clearly defined. This two-day event will map out the changes that are occurring in the field of American art as it becomes enmeshed in a global art history. Sessions will examine current trends of inquiry and suggest new directions for scholarship. 

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  • Paris

    Call for papers - Modern

    Music criticism in the twentieth century in America and the english-speaking world

    Cette journée d’étude viendra clôturer un ensemble de rencontres initiées depuis 2013 sur divers aspects de la critique musicale au vingtième siècle, envisagée d’un point de vue théorique (théories et conceptions de la critique musicale), thématique (figures, genres et formes de la critique), ou par aires linguistiques et culturelles (Allemagne, Italie, monde hispanophone). Il s’agira d’examiner comment certaines des questions générales abordées au cours des précédentes journées d’études se posent aux États-Unis ainsi qu’au Royaume-Uni et éventuellement dans le reste du monde anglophone.

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  • Scholarship, prize and job offer - America

    Charles C. Eldredge Prize 2016

    The Smithsonian American Art Museum is now accepting nominations for the 2016 Charles C. Eldredge Prize. Single-author books devoted to any aspect of the visual arts of the United States and published in the three previous calendar years are eligible.

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  • Paris

    Conference, symposium - History

    La technologie entre l’Europe et les États-Unis aux XIXe et XXe siècles

    Rencontre et ignorance

    La technologie, entendue au sens étymologique de discours sur les arts et métiers, c’est-à-dire comme science des opérations, a suscité un vif intérêt au début du XIXe siècle. Alors que l’intensification du travail marque tous les modes de production – artisanat, industrie rurale, manufactures – de nombreux acteurs des techniques (artisans, ingénieurs, savants, caméralistes, etc.) proposent une théorisation de l’action productive, formulant de façon plus ou moins aboutie leur compréhension du travail en termes opératoires et plaçant de grands espoirs dans une science humaine capable d’améliorer l’activité.

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  • Abidjan

    Call for papers - Africa

    African popular music: the veritable voices of the people?

    Perhaps for reasons related to intellectual elitism or simply because of the lack of an effective means of analysis, African popular arts (Modern African music in particular) keep on being pushed to the margins of academic discourse on postcolonial cultural identities. To this day and more than not, in classroom discussions on African culture(s), a place of pride is ascribed to literature (at films at times) despite the high rate of illiteracy and difficulty distributing them, which makes these products utterly inaccessible to the masses. That African writers like Ngugi (Kenya) and Boubacar Boris Diop (Senegal) decide to take their leave from colonial languages on behalf on “penning” their stories in African languages is sometimes hailed as an exceptional way towards cultural affirmation and identity recalibration. In terms of their production and consumption, however, popular musical forms have an absolute impact on African populations. These forms are transfigurations of the people’s daily life experience in that they bring together and crystallize the identities of the musical forms in question more than any other artistic expression.

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  • Paris

    Conference, symposium - America

    Rires de jazz

    Esthétique(s) jazz : la scène et les images

    À l’origine du jazz, il y a les spectacles musicaux et satiriques des esclaves sur les plantations, ces spectacles que les Blancs qualifiaient d’éthiopiens et qui inspirèrent les Minstrels Shows et la tradition du Blackface. Dans cette pratique musicale née au temps de l’esclavage, il y a une dimension ludique, un rire salvateur, subversif et libérateur, un fracas de rires pour saper l’ordre esclavagiste, au nez et à la barbe du maître. C’est ce rire ontologique qui travaille en profondeur l’esthétique jazz que nous souhaitons interroger, du geste comique et ludique du jazzman au corps musical de l’acteur comique. En quoi ces corps-jazz vibrant en rythme, au risque de la danse, sont-ils capables de produire une mécanique humoristique ou burlesque ? Et dans quelle mesure ces corps-jazz qui provoquent les rires jouent-ils à déconstruire les normes ?

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  • Scholarship, prize and job offer - America

    The Charles C. Eldredge Book Prize in American Art

    The Smithsonian American Art Museum invites nominations for the 2015 Charles C. Eldredge Prize, an annual award for outstanding scholarship in American art history. Single-author books devoted to any aspect of the visual arts of the United States and published in the three previous calendar years are eligible. 

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  • Washington

    Scholarship, prize and job offer - Representation

    Terra Foundation Fellowships at the Smithsonian American Art Museum

    The Terra Foundation Fellowships in American Art at the Smithsonian American Art Museum seek to foster a cross-cultural dialogue about the history of art of the United States up to 1980. They support work by scholars from abroad who are researching American art or by U.S. scholars who are investigating international contexts for American art. Fellowships are residential and support full-time independent and dissertation research.

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  • Nantes

    Call for papers - Modern

    Representations of Power and Power of the Image in British and American Contemporary Photography

    Représentations du pouvoir et pouvoir de l’image dans la photographie contemporaine américaine et britannique

    From the power of images to images of power, this workshop will explore the representations of power and the power of representation in contemporary American and British photography. What is photography capable of doing? Whether in the form of a public person, the environment of power (emblematic places and explicit or underlying forms) or its symbolism, what is photography capable of revealing about power itself? Political, institutional, economic or social power all depend upon a system of relations or tensions between groups or individuals (accepted, rejected, questioned, expressed visually or internalized) participating in the construction of the identity, myths or memories of the American or British nations. In what manner does photography enhance or contribute to this construction or deconstruction of the notion of identity and nation?

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  • Sherbrooke

    Study days - History

    Cultural spaces and issues in Louisiana, from its foundation to the present day

    Depuis le XVIIIe siècle, la Louisiane a occupé et investi des espaces variés ; espaces géographiques, certes, mais également symboliques. La diversité et la complexité des espaces et des expériences en Louisiane ont soulevé et soulèvent encore aujourd’hui bien des enjeux en histoire culturelle. Cette journée d’étude vise à présenter une mise au point des avancées historiographiques. L’événement viendra également inaugurer le volet recherche du Centre interordre d’études louisianaises de l’université de Sherbrooke et du Cégep de Sherbrooke.

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  • Call for papers - Representation

    The American and British Nations in Contemporary Landscape Photography

    This second workshop in a series devoted to photography and national identity will question the way in which landscape as represented through the specificities of the photographic medium may participate in the construction of contemporary American and British national identities.

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  • Strasbourg

    Call for papers - Modern

    Painting and document : David Diao

    Call for Abstracts for the first international colloquium about the New York painter David Diao. Born in 1943, Diao is a major artist of the conceptual painting field. His work is about the history of modern art, architecture and design but also about the complex interactions between autobiography, history, art market… This colloquium will take place in Museum of modern and contemporary art, Strasbourg. Organized by two laboratories of University of Strasbourg and National School of Archiecture of Strasbourg. The colloquium is part of a series of projects with David Diao in Strasbourg for 2014 : artist residence, edition of a work, collective book, colloquium.

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  • Scholarship, prize and job offer - America

    Terra Foundation for American Art International Essay Prize 2014

    The Terra Foundation for American Art International Essay Prize recognizes excellent scholarship by a non-U.S. scholar in the field of historical American art. Manuscripts should advance the understanding of American art, demonstrating new findings and original perspectives. The prize-winning essay will be translated and published in American Art, the Smithsonian American Art Museum’s scholarly journal.

     

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  • Rouen

    Call for papers - America

    History, fiction, representations: the voices that build the Americas

    Histoire, fiction, représentations

    Ce colloque se propose d’étudier l’état actuel, des années 1970 à nos jours, des questionnements sur l’américanité, saisie dans un sens à la fois local, national et transcontinental. Le continent américain a été et reste un pôle attractif pour des populations/des individus en quête d’un monde nouveau et meilleur, qu’il a acceptés et refoulés tout au long de son histoire. Comment l’américanité, réelle ou mythique, accueillante ou exclusive, opère-t-elle en tant que critère d’une recherche identitaire dans la réélaboration constante et l’évolution des visions culturelles de l’Amérique du nord et de l’Amérique latine ?

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  • Chicago

    Call for papers - Modern

    Sounds of Freedom: Music and Performance Across the Black Atlantic World

    The Editors of African and Black Diaspora: An International Journal in partnership with the Center for Black Diaspora, DePaul University, announce a Call for Papers on “Sounds of Freedom: Music and Performance Across the Black Atlantic World” for a special issue of journal. The Editors are seeking papers that explore the nexus between music and performance over place and time, showing through myriad examples how music and performance of diverse sites of the African diaspora is critical in the making of the modern Black Atlantic living tradition.

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  • Paris

    Scholarship, prize and job offer - History

    Postdoc position in Afro-American studies

    EHDLM project, PRES Sorbonne Paris Cité: "Writing history from the margins, the case of Afro-American and the becoming of history"

    Offre d'emploi du PRES Sorbonne Paris Cité concernant un post-doctorat en études africaines-américaines pour 3 ans (XIXe-XXe). Le / la post-doctorant(e) devra avancer sa recherche tout en concourant à l'organisation des manifestations du projet EDHML (Écrire l'histoire depuis les marges : le cas des Africains Américains et le devenir de l'histoire), soit 2 colloques, 1 séminaire et 3 journées d'étude. Le/la doctorant(e) sera basé au laboratoire CRIDAF/ Pléiade, Université Paris 13, Villetaneuse. Il (ou elle) travaillera en coordination avec les laboratoires CREW (Paris 3 Sorbonne nouvelle) et Paris Diderot (LARCA). Le projet porte sur l'écriture de l'histoire par les historiens noirs et les récits d'esclaves (pour l'essentiel). 

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  • Paris

    Call for papers - Language

    The Classics in the Americas. Reprising and Rewriting Greek and Latin Classics in the American Continent and the Caribbean

    While classical intertextuality has been a widely studied subject and a much-discussed topic in the field of European literary theory, there exist, as of yet, only one-off studies regarding its developments in the “New World”. Although works by writers such as Edgar Allan Poe and Jorge Luis Borges have often been analyzed from an intertextuality-oriented perspective, and although several research projects, by focusing on this or that national or regional literature of the Continent, have helped cover sizeable blind spots in literary history, the groundwork has yet to be laid for an overall theoretical approach on the ways in which the Ancient Classics have hitherto been reprised and rewritten in the Americas.

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  • London

    Scholarship, prize and job offer - Representation

    Visiting Professorships at the Courtauld Institute of Art, London, 2013-2015

    Sponsored by the Terra Foundation for American Art

    Visiting Professorships at the Courtauld Institute of Art, London, 2013-2015 The deadline for all professorship applications is January 15, 2013. Two professorships are available at the Courtauld Institute to present the best recent scholarship on historical American art. A twelve-week professorship requires administering one full-term course integrated with the institute’s curriculum and participating in other scholarly activities. A one-week intensive professorship entails a public scholarly event, a seminar, and a special visit to a London gallery, archive, collection, or library relevant to American art history. Stipends are determined by seniority of the scholars. For more information, please visit courtauld.ac.uk.

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  • Berlin

    Scholarship, prize and job offer - Representation

    Visiting Professorships at the John F. Kennedy Institute, Freie Universitat Berlin, 2013-2015

    Terra Foundation for American Art

    These three-month visiting professorships focus on the history of American art and visual culture. Visiting professors offer specialized courses, seminars, and lectures and participate in the larger academic community throughout their stay. Two professorships are available for each academic year.

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